The new Ed Hale single, “Scene In San Francisco,” debuted at #33 on the Hot AC Chart this week. Hales’ previous single, “New Orleans Dreams” is still on the AC chart at #15 this week, effectively giving Ed Hale and Dying Van Gogh Records 2 songs in the Top 40.
Another acoustic-pop gem, “Scene in San Francisco” is a catchy beat-driven romantic ballad that features Hales’ traditionally heartfelt singing and poignant lyricism. But this time Hale turns his attention toward the heart and turns the heat up with a timeless and heartbreaking story of “two lovers lost in the heart of San Francisco”. The result is a gorgeous melody that stays in your head for days and a story that nearly everyone can relate to.
The single will be released on iTunes, Amazon, and other digital retailers on January 17th, 2012.
a. Currently up to our necks is what we’re up to! Total madness. But a very cool kind. Semi-controlled madness. Just a lot of incredible things happening right now all at the same time. It’s a thrill and a rush for sure. But it also requires extreme focus and attention, which isn’t usually the stuff of artists if you know what I mean… More than anything else I’d say we’re all very excited about the upcoming release of the new Transcendence album All Your Heroes Become Villains. It’s hitting retail and digital stores all over the world as we speak and people are loving it. The concept of the album is resonating with people at this time. One critic called it “The perfect soundtrack to a beautiful apocalypse.” That pretty much sums it up I’d say. So that’s a good thing. Right now t’s making a big splash on College Radio here in the States.
b. Oddly enough, at the same time we’ve got this other thing happening with my last solo album Ballad On Third Avenue which was totally unexpected. The second single “New Orleans Dreams” has been climbing up the Adult Contemporary charts here in the US and spinning in 21 other countries. Including the UK of course. Right now the song is currently #10 in the US. Because of this, there’s a whole new interest in this solo album. We didn’t see this coming. So we’re literally working PR and promo on two totally different albums at once by the same artist. AND trying to book two separate tours to support these two very different albums. It’s insane.
c. We’re doing a ton of press, which is always fun, and at the same time we’re working on the music videos for the “Villains” album. Of course we are also planning the US tour, deciding which cities to hit and which other countries to books some shows in. That’s a daunting task. But obviously well worth it once we’re on that stage. We love performing live. It’s THE rush of all rushes. If that doesn’t sound like enough, we’re also in the studio and just about halfway through recording two new “Ed Hale solo albums”. We’re still attempting to get our minds around what these new albums ARE… what their all about… We recorded about 20 songs so far and we’ve found that about a third of them sound like Adult Contemporary, a third of them sound like a more mellow singer/songwriter vibe, and another third sound more like they belong on a Transcendence album. They’re more alt-rock. It’s weird how we work like that. It confuses some people… but not us. We’re used to it.
d. And of course there’s the mysterious The Great Mistake album that we still haven’t officially released, but it’s been sneaking around the internet for a few years. We just found the master tapes and gave them a listen and they sound incredible. Just over the top raw garage rock but catchy as hell. So now we are all involved in this heated debate as to “when should we release this new-new album?” It obviously doesn’t make sense for us to release it now. And yet it sounds so damn good we want to! Take French band Phoenix and mix it with some Strokes and Vampire Weekend… add some early seventies Rolling Stones, Velvet Underground or Wolf Mother and you get a pretty good idea of what the sound of this new new album sounds like. It’s done. Just needs to be mastered. I can’t wait for everyone to hear it. I just love it.
We’re super excited to offer these beautiful Ed Hale print tees for sale, and just in time for the holidays!
Also available, are these stylish American Apparel black shirts with “All Your Heroes Become Villains” across the front and Ed Hale and The Transcendence on the back.
Endless greed, war, exploitation, lies. Turn the anger and outrage into a guitar riff, and you have the pulsing heart of “Blind Eye,” the latest free MP3 release from All Your Heroes Become Villains by Ed Hale and The Transcendence. The riff, accomplished by some tricky open-D tuning by Hale, and then mirrored by syncopated bass (Roger Houdaille) and drums (Ricardo Mazzi), sets the emotional tone, giving the listener more than a hint where the song is going.
“It’s cynical as hell but I think it’s how a lot of us feel right now in the US; and all over the world,” says singer Ed Hale. “You [politicians, elected officials] can do whatever the fuck you want to. I’m sick of your lies. I’m sick of your endless wars. So here’s the deal: do whatever you want to. I’m sick of fighting you. So I’m going to turn a blind eye to you and your wicked bs because I’ve got a life to live. But just don’t mess with me or my family. Don’t come near my home. Don’t come near my work or my family. And don’t ask me to help you in your quest to destroy the world.”
Hale’s haunting lyrics, “Everything I hear/And everything I see/I won’t be afraid/You won’t bother me/All your evil ways/With everything you do/I will turn away/You won’t bother me,” are delivered with such steady resolve that you can almost picture the sneer on his face while he sings. The refrain, “Murder Greed Destruction Exploitation Rape Sex and Violence/Take your money Take your money Take your money” whispered quickly and venomously, came from a list Hale wrote of all the things he was protesting at the request of Producer Fred Freeman. About halfway through, “Blind Eye” begins to spin out of control into a giant convulsive climax: vocals, guitar, drums, bass and effects all coming together in a climactic representation of the chaos and evil present in the world today. This is about as heavy as Transcendence has ever gotten in song. And it’s very, very good.
Download the mp3 from Green Light Go or stream it below from SoundCloud.
Out of the 11 songs on the new Ed Hale & the Transcendence album, All Your Heroes Become Villains, there are only 3 that offer any kind of hope, optimism, or hopefulness: track 3 entitled “Solaris,” track 6 “Here it Comes,” and the album closer “Last Stand at the Walls of Zion.” The rest of the album is a dark heavy brooding downward spiral into the lead character’s disillusionment with everything in the world and his own personal life. From the album’s trance-hop meets operatic opening — which starts with a slow dirge-like rhythm and then builds to a climactic crescendo of dissonance punctuated by two competing melodies played by a trombone and guest vocalist Dee Dee Wilde’s gorgeous gospel-tinged wailing — all the way through to the album’s closing track, All Your Heroes Become Villains feels and sounds like the perfect soundtrack to the end of the world.
Song by song the lead character vents his anger and disappointment with the society he lives in and his own personal life, aiming his rage at everything from the political system (“Blind Eye” and “We Are Columbine”) to God and religion (“Waiting for Godot”) to friendship and romance (“Indian Princess” and “Messed it Up Again”). The climax of the album is track #10, the majestic seven-minute ‘suicide letter in a song’ the band entitles “After Tomorrow” (already a favorite among adventurous college radio DJs) where it becomes clear that the lead character has had enough of blaming the world around him and has turned inward only to discover that he doesn’t have what it takes to continue any further in a world full of hate, war, disease, crime and betrayal.
And yet amongst all this drama and pathos there is the beauty and hopefulness of the song “Solaris.” In their traditional Britpop meets post-modern rock style, Ed Hale and company deliver a near perfect pop song clocking in at three minutes and thirty seconds that shines a bit of light on the stage of their apocalyptic rock opera. Sweet and tender and yet mysterious, “Solaris” seems at first to be a love song. But the female character being sung to doesn’t appear to even be alive, at least not alive in the traditional sense; on planet Earth. Rather, the lead character sounds as if he is singing to someone far removed from all his earthly troubles, someone who is far far away, living in another galaxy or star system called “Solaris.”
Lead singer Ed Hale summed it up this way, “A girl I knew, someone very close to me, had just passed away. And I found it impossible to deal with emotionally. Right around the same time, I had a chance to see the DVD of this beautiful movie called “Solaris” starring George Clooney. This movie is a trip. Very slow. You have to flow with it. It was based on the book by Stanislaw Lem. Seeing that movie hit me at the right time. I had my guitar with me of course and while I was watching the film I just started strumming these chords and creating this song about my friend… What I did really, was just place her, Julia, into the movie… in order to bring her back to life for myself. I just felt that because it was unbearable to contemplate her passing that at the very least I could make her alive in some other form, like she’s still living but in a different dimension. So the song “Solaris” is me, or the lead character of the album I guess, singing a prayer to her or for her, talking to her… asking her how she’s doing… like “how’s life in your new world Julia?” It made me feel better. And although it isn’t enough to keep the lead character alive by the end of the album, I think it gives him some hope along the way to his final decision… like that.”
After catching up with Ed Hale last week in the first part of my interview with the singer/songwriter/guitarist/keyboard player for the former Miami based band Transcendence, today we delve further into the group’s current status and the making of their latest album, All Your Heroes Become Villains.
I encountered an interesting parallel story during a recent weekend in New York. During lunch with musician pals Richard X Heyman and Edward Rogers, an obscure British musician named Jimmy Campbell came up. Campbell wrote a few mildly successful hits in the mid ’60s during the full flush of the British Invasion. Few Americans know of Campbell, but Hale sure does. His label, Dying Van Gogh, has a multi-artist tribute planned and Rogers is contributing a track to the effort! Anyhow, here’s the rest of my little chat with Mr. Hale.
Music vet and New Times scribe Lee Zimmerman offers his insights, opinions and observations about the local scene. This week: Ed Hale talks music, mobility and his attempts to save the world…
When translated into Latin, the word Transcendence suggests an upward motion and a feeling of going beyond, freely tempered by shifting historical or cultural connotations. Fortunately, Transcendence, the group with South Florida roots manages to live up to its banner, with five ambitious albums released over the past decade, as well as the various solo outings from its individual members.Formed in Miami at the start of the millennium, the members of Transcendence are scattered across various locales, but three of its chief mainstays remain the same — singer/songwriter/guitarist/keyboard player Ed Hale, guitarist Fernando Perdomo, bassist Roger Houdaille and drummer Ricky Mazzi.
Each boast their own back story. Hale was formerly with the South Florida outfit Broken Spectacles, Perdomo helms his band Dreaming in Stereo and his own Forward Motion Records roster, Houdaille fronts the group Ex Norwegian and Mazzi is an in-demand session player. Nevertheless, they find a common bond in Transcendence, which Hale directs from his home turf in New York and Seattle, and which, along with Miami, serve as headquarters for his record label, Dying Van Gogh. “It’s a crazy way to live,” Hale says. “But it’s a blast.” Read on…
For long-time colleagues, coworkers, family, fans and friends — YOU DID IT! The long awaited new studio album from Ed Hale and The Transcendence, All Your Heroes Become Villains, officially hits retail and online music stores at midnight on November 15th. In the meantime, it hit College Radio stations all across America last week, three-hundred and fifty of them to be exact, and debuted at #16 on the CMJ (College Music Journal) Most Added Chart! This is the highest debut on the College Radio Chart in the band’s nine year history.
Each and every member of the band is ecstatic that this album is finally being released after so long and so much work; even better that it was received so well in its first week out to college, satellite and non-comm radio stations. All Your Heroes… is the band’s fifth studio album and was a long time in the making as many of you know. Ed Hale and crew first started tracking the foundational songs for the album at Criteria/The Hit Factory in 2004! After a long hard bumpy ride with all the changes in the music industry, a professional and official release of this album seemed nearly impossible; which was a major bummer for the band, because we honestly believe that All Your Heroes Become Villains is the best album we’ve ever made. But with a whole lotta persistence, years of work in the studio, more phone calls, video conferences, lunches, meetings and pavement pounding than we’d care to remember, it’s now official.
Transcendence first and foremost is a “band.” Featuring Ed Hale on vocals and guitar, Fernando Perdomo on guitar and bass and vocals, Ricardo Mazzi on drums, Allan Gabay on piano and keyboards, and the inimitable Roger Houdaille on Bass guitar and vocals. But we also had a ton of help from other local and national guest musicians while creating this album, which is the darkest, heaviest, moodiest, “thickest” for lack of a better word and most ambitious album of our career together. Singer/songwriter/producer/engineer Zach Ziskin added some additional lead guitar work. Karen Feldner as always lent her beautiful vocals. Dee Dee Wilde added additional background vocals. As did Matthew Sabatella. Leor Manellis added extra drumming. And Emiliano Torres added trumpet. (We still cannot remember the name of the guy who played the trombone — if you know, please drop us a line). DJ Kamran Green flew in from California to add trance-hop loops and beats.
The album was produced and mixed by Ed Hale and Fred Freeman at Dungeon Recording Studios. Rudi Meewuen and Joe Syring acted as second engineers. Gina Rowland took care of the artwork and band photography – along with Starbucks every morning. Susie Aminian and Flavia Molinari took care of the CD packaging. The album is reaching national media in America by Janelle Rogers and her team at Green Light Go PR and European Media by James Parish and Jay Taylor at Prescription PR in the UK. Ariel Publicity and Cyber PR are handling online promotions. Reverend Moose and Ryan Prieto at The Syndicate are handling College Radio Promotions. And Commercial radio at Adult Contemporary is being handled by South Beach Marketing and Promotion’s Amanda Alexandrakis. Big thank yous also to the DJ Holly Haze for her ears re the first single “Blind Eye.” And also to Johnny Chiba at CMJ for all his support. We couldn’t have created this album, nor the buzz around it without any one of these talented individuals. Thank you to all of you!
The new Ed Hale single, “Scene In San Francisco,” debuted at #33 on the Hot AC Chart this week. Hales’ previous single, “New Orleans Dreams” is still on the AC chart at #15 this week, effectively giving Ed Hale and Dying Van Gogh Records 2 songs in the Top 40.
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