‘All Hale, Ed!’

Ed Hale, the iconic singer of the rock group Transcendence, never known for doing things ‘ordinary,’ definitely did it his way in what may be the ‘interfaith wedding of the year!’

On February 13, Hale’s last Triple A radio hit single, ‘I Walk Alone,’ no longer applied to him as he and the beautiful Nahal Mishel-Ghashghai, began their life together in a style that crosses all cultural barriers.

At a church on the corner of Park Avenue in New York City, they were joined in a formally Islamic fashion in a traditional Persian wedding, followed immediately by a traditional Christian wedding.

I recently had the opportunity to speak with Ed Hale about all this, and first wondered, being that he just married his soul-mate (congratulations!) in a Multi-Interfaith, one-of-a-kind wedding, if he could kindly explain this a little more. “Thank you for the congrats. Nahal and I knew that if we were going to have a wedding that it needed to be special. Something that was bigger than just the binding of the two of us as one. If we wanted to do that, we could have just eloped off alone the two of us and done it privately. But we felt a responsibility to our friends and fans and family… we wanted to share it.”

“Many people already knew our story. How long we had been together. How in love we were. Always the iconoclast, I wasn’t too knowledgable about weddings per se, but I knew that if I was going to get married in public that it had to be about more than just the two of us. So we really worked hard at this idea of ‘celebrating love,’ in all its shapes and forms… rather than just making it about us.”

Continue reading click here

Ed Hale and Nahal Mishel-Ghashghai tie the knot

FOR IMMEDIATE RELEASE

New York, NY, February 22, 2010 – Ed Hale, singer/songwriter and social and political activist, whose latest solo album Ballad on Third Avenue was recently voted one of the best albums of 2009, has possibly started a trend in creating a little peace between the U.S. and the Middle East – by doing it his way in his one-of-a-kind wedding last weekend!  East meets West and judging from the comments of the over one hundred and fifty guests from all walks of life and religious denominations, they were deeply moved and had never experienced such a depth of love and peace within a wedding ceremony before!

On February 13, at a church in Manhattan, Hale (who took the Muslim name of Hafez in order to be legally married to his bride in the country of Iran) and Iranian-born Nahal Mishel-Ghashghai began their new life together by first being joined in a formal Islamic ceremony at a traditional Persian wedding known as Sofreh Aghd that dates back nearly four thousand years.  This service was followed by a traditional Christian wedding where the bride and groom’s own vows were integrated into the formal ceremony, followed by a few minutes of candle-lit darkness and silence for world peace.

The enlightened couple did not stop there though.  The newlyweds then “jumped the broom,” a centuries-old African American wedding tradition, to express their solidarity with people around the world who are still victims of human trafficking and slavery today. Hale then surprised his new bride by releasing two white doves into the air, and then at the reception a traditional Native American wedding blessing Deer Dance was performed for the couple and their guests by ancient Persian Sufi musicians.  Hale’s initial concern that it might have been ‘too much’ for their guests was assuaged after hearing feedback that everyone felt humbled and inspired by the love and spirituality they felt that day, many expressing that their lives were changed forever by the experience.

Hale ’walks the talk’ once more when it comes to his nickname ‘the Ambassador,’ even bringing the idea into his own nuptials. Not content simply working with Habitat for Humanity in providing homes and a new beginning for those less fortunate, he strives daily to make the world a better place in his honored role as a civilian diplomat for the United States.  In fact, it was in this role that he first visited Iran in 2008 to discuss peace between the US and Iran. Six months later he met directly with Mahmoud Ahmadinejad at the United Nations in an effort to promote world peace.  Contrary to what many believe, Hale did not meet his future bride during this visit – they had, in fact, been best friends for almost a decade prior to becoming engaged.

As the rocker-activist couple began their first day as husband and wife in a suite at the Waldorf Astoria hotel, they found it both sad and ironic when Nahal read aloud from the New York Times Hillary Clinton’s plan to impose more economic sanctions on Iran, where much of her family still lives. One wonders that If Ed Hale and Nahal could cross multiple cultural and religious barriers and achieve peace on a small scale for one day with hundreds of guests from countries all over the world, couldn’t we imagine what the whole world could accomplish if we worked together in similar fashion and made peace our ultimate goal. Peace between the United States and Iran was possible, at least for one day, through true love in action by these two beautifully inspired love birds.

Find out more about the artist at www.edhale.com or connect with Ed Hale personally on Facebook at:http://www.facebook.com/edhale.

Rodney Foster – Ascot Media Group, Inc.
rfoster@ascotmediagroup.com
281-324-2180

###

Music critic Lee Zimmerman wrote,

“Scene in San Francisco” though just might be the straw that breaks the camel’s back, or in this case breaks the singer to a larger more mainstream audience. The song is melodic and catchy, so pure pop and straight ahead that it is hard at first to fathom that it comes from the same Ed Hale. It also manages to end before the four-minute mark, a milestone for an artist who has in the past filled his albums with songs up to eleven minutes in length and five different languages. “Scene in San Francisco” will hit terrestrial and satellite radio in the second week of January. But listeners can hear it now online on internet radio stations such as Pandora, Jango, Grooveshark, ReverbNation, LastFM, and iLike. They can also stream the song directly from MySpace and Facebook using iLike.

“Scene in San Francisco” is one of only a handful of songs that Hale did not co-write with writing partner Tyler Bejoian on the Ballad On Third Avenue album, claiming the song is based on a true story. Hale comments “Tyler and I were very clear on what we were trying to do with the Beautiful Losers album [the album's original title before it was changed last minute due to the book of the same name by Leonard Cohen]. Essentially we were just catharting. I don’t know if that’s really a word… but it should be. We were venting about but also celebrating that feeling of how it is when you feel like the world is caving in around you and nothing is going your way… you know, it’s easy to start to lose hope and feel like a loser. But if in the end you can still feel beautiful, if you can still find a way to love yourself… there’s survival in that. There’s hope. “Scene in San Francisco” was a song that I had written while I was working on the Transcendent Television project in this hotel in San Francisco. The song fit the motif and theme of the album Tyler and I were working on perfectly. Boy meets girl. They fall in love. She leaves him. You know, he wakes up one day and realizes that he has lost the girl. That’s the nature of this album in a nutshell, with different people. Your parents, your friends, society and the government. We’re basically on our own. But this song is true. I mean, I changed some things here and there. But it sums up an experience I had at a hotel with a girl that I fell madly in love with who ultimately left me for someone else. Her husband actually.” (laughs) “Coulda been worse I suppose. But it was important to get it out, get it in song form. That always helps. But yeah, the song is real. It’s a true story. There’s a part two though, but I guess we’ll have to wait for the next album to come out to hear about it.”

Ed Hale Photo by Flavia Molinari

Ed Hale and band just announced two new concert appearances, both in New York. The Transcendence singer/songwriter/guitarist just released his latest solo album, the critically acclaimed Ballad On Third Avenue – a melodic gem and lyrical milestone for Hale that sounds and feels like an homage to getting lost and losing in the streets of New York and still coming out winning. Tour dates so far have been few and far between; even though the album stayed in the college radio charts all summer and the first single, the anthemic “I Walk Alone”, has been tearing it up on commercial radio making Hale more and more a household name for the emo set. Dying Van Gogh Records assures that Hale will add more tour dates as the album gains more traction at radio. For now fans will have to settle for the few that crop up now and then. Two such happen to be in the Big Apple. Stay tuned for additional updates.

October 2nd, 2009 Friday Night – New York City, NY USA – Fall Fest – Christ Church – 6:30 PM. Corner of 60th st. and Park Avenue. Tickets $10 at the door. Two hours of bands. Ed Hale is one of the featured artists. Band will consist of Hale on vocals and acoustic guitar, Peter Capelle on piano, and a cellist. Will perform 4 songs from new album Ballad On Third Avenue.

November 7th, 2009 Saturday - New York City, NY USA – International Pop Overthrow Festival – 3:30 PM Sharp. Kenny’s Castaways 157 Bleecker St. New York 212 979-9762 $10 at door gets you in for all acts that day and night till midnight. FULL SIX-PIECE BAND CONCERT featuring acoustic guitar, piano, cello, bass, drums, mellotron, and vocals – performing songs from new album Ballad On Third Avenue.

Hale, at times, will sing in a near hushed whisper that is guttural, careful and crackling. He sounds like a gritty version of Bono. That’s not a slight, Hale’s warm singing style is a plus and helps sell songs such as the album’s title track and the gently driven `Scene in San Francisco.’

The album is not an immediate grab. The slow pace and humble delivery makes it stand out after the fact, after it ends. It’s the person in the room you notice later, the one you wished you’d noticed earlier. This quality makes Ballad on Third Avenue a surprise, a gift that keeps giving. It’s indifferent and coded and may take a few spins before it begins to tattoo itself on eardrums and heart strings. Ballad on Third Avenue is a work that seemingly aims to be just left of field – a warm blanket instead of a quick pick-me-up. It’s textured and sometimes harrowing sound is a winter’s morning, a love letter to the past and indeed rich in imagery. Take a sample lyric from `I Walk Alone’ – “And those lights by the bridge shine through the night of my eyes.” Hale is digging deep and revealing through music the travails and pleasures of living life.

Brian Tucker/Bootleg Magazine/Wilmington, NC

Ed Hale pauses between his endearing musings on the streets of New York

Ed Hale
Ballad on Third Avenue
(Dying Van Gogh Records)

Ed Hale’s outfit Transcendence was the kind of band that allowed ambition and extravagance to find equal footing. Progressive by design, its sumptuous arrangements often overshadowed Hale’s skills as a songwriter, which featured some great melodies at the core. Hale seems to have remedied that band’s often-obtuse approach with a solo album that focuses more on emotional content and less on instrumental elaboration. The cast of supporting players is terrific (several played in Transcendence), and Hale demonstrates an enviable gift for brooding, introspective melodies that are as quietly compelling as those of Leonard Cohen or Nick Cave. And yes, they’re that good.

The fact that Hale still boasts a penchant for grander schemes ought come as no surprise. His own Dying Van Gogh label has given a home to some of South Florida’s most talented artists, including multi-instrumentalist Fernando Perdomo, who also co-produced this disc. Hale himself has shifted his base of operations to New York, where he now finds both the aural and visual muse for his music. And despite the vast expanse of these urban environs, songs such as “Scene in San Francisco,” “Hello My Dove,” “It Feels Too Good,” and “New Orleans Dreams” provide an intimate view of life, love and longing from a solitary point of view.

Other tracks, like “Thoughts of California and “Never Let Me Go Again,” seem to drift along in a dreamy haze. Only “I Walk Alone” conjures up the sweep and spectacle of Transcendence, but even so, Hale shuttles the song while lowering his gaze. Still, with all due respect to his former outfit, Ballad on Third Avenue is easily the best record of Hale’s still-evolving career. Intimate yet endearing, these songs of the street offer an eloquence all their own.

Related Content