Ed Hale to Release New Book Revealed in Recent Interview
FlyFreeAvatar.com recently had the opportunity to get recording artist Ed Hale to sit down for an in-depth interview. This is a project we have spoken about doing for several years, and the New Year seemed like the perfect time to finally complete it. Hale has been in the public eye for most of his life, having released his first album at the age of 17. He is best known as a singer-songwriter and recording artist — as the lead singer of the musical group Ed Hale and the Transcendence, scoring numerous Top 40 hits over the last fifteen years — including classics like “Superhero Girl”, “Scene in San Francisco” and “New Orleans Dreams”. He is also well-known as a successful entrepreneur and businessman, a prolific writer, and an outspoken social and political activist and human rights advocate. He has a reputation for being open and outspoken about his personal life, especially in his popular long-running blog The Transcendence Diaries, which is celebrating its twelfth year online this year. He is refreshingly candid about sharing his spiritual views as well – a rare quality in the entertainment world. Being actively involved in community building and Civilian Diplomacy work with organizations like Habitat for Humanity and Fellowship of Reconciliation (FOR), Hale has traveled the world extensively for diplomatic, peace and work trips and speaks six languages. Most applicable to this site, Hale has taken all of the Avatar Courses numerous times over the last 15 years and continues to do so on a regular basis.
FlyFreeAvatar (FFA): When I first thought about talking to you for this interview, there were two questions that came to mind immediately. The first was about how your music has been affected by taking the Avatar courses. And the second was about all the success you’ve had over the years and how much of a role you think Avatar has played in it.
Ed Hale (EH): Yep. I can see that. Those are the two questions I get asked the most when it comes to Avatar. But that’s TWO questions you know. [laughs]
FFA: Okay so let’s start with your career success. With the band’s last album’s success and the hit singles you had from your solo album, “Scene in San Francisco” and “New Orleans Dreams” climbing the Billboard Top40 Charts, why don’t we start there? With your career success. How much of a role do you think Avatar has played in that?
EH: Well I had achieved success in music at an early age. Long before I took the Avatar Course for the first time. So I don’t want to mislead anyone on that count. But it was short lived. I mean, I was signed, released an album, had a few hits and was touring before I finished high school. And then it was all over before I graduated college! [laughs] But this latest success? I think we could safely say that I wouldn’t be here today if it weren’t for everything I learned in Avatar; let alone be in Billboard magazine.
FFA: Your early career, that was when you were known as Eddie Darling…
EH: Yes. That’s the embarrassing truth. But you know, when we’re young… we don’t know. We think we know… but we don’t. At the time I guess I thought that was a cool sounding name. But that was such a crazy experience to go through at such a young age. None of it was on my terms. It was all up to other people. Just a very large greedy money-making machine. If they like what you’re doing, you’re in. If they don’t like what you’re doing, you’re out. No compassion, no sense of artistic integrity or guidance. It was really disheartening for me as a young artist. I thought that was going to be the start of this amazing career, but it didn’t last very long. A few years in the big leagues and it was over and I was back in the local club scene.
FFA: But you obviously didn’t give up on music, which has been a hallmark of your career, this persistence. What led you to keep going?
EH: Well I did give up for a while there. I went back to college and got really into that. But it didn’t last long. I just couldn’t stay away from making music. I don’t know if I’ll ever feel comfortable NOT making music. It’s just the one thing in life I enjoy doing more than anything else. Except being married of course! [laughs] The difference was, when I went back into music then, that it was going to be on MY terms. I didn’t feel like I had any control in it my first run-through. So that was one of the many reasons why I took the Avatar Course. I wanted to harness more deliberateness in my life. Not sure if that’s a word… But I really liked the idea of “living deliberately”. [Living Deliberately is the name of the first book by Harry Palmer. Palmer is the author and creator of the Avatar Course and has published many books on the subject.]
FFA: You were young when you took Avatar for the first time.
EH: Yes, I was 21 or 22 years old. Back then that was considered “young”. Now there are kids eight and nine years old taking the courses. It’s incredible. I used to feel like “the kid” around those courses. Now I feel old compared to these kids. [laughs]
FFA: Yes. It’s amazing. But still, 22 is still pretty young to take Avatar. Especially back then when the course was fairly new and unknown. What prompted you to take it?
EH: Well it’s like what I was saying, about the last album, and really all of them over the last ten years… I took Avatar initially because I wanted to feel more in control of my life. I wanted to feel like I was creating my experiences. I could FEEL that what it was about totally vibrated with what I believed personally. I mean, the whole “we create our experiences based on our beliefs” premise… I believed that already. Or at least wanted to. But how do we control our beliefs? That’s what puzzled me and interested me the most. And I learned how to do that on that first Avatar Course; and in the future ones that I took like Masters and Wizards. It gave me the ability to create my beliefs deliberately. So instead of feeling caught up in a large out of control system like the music business, I created feeling in control and confident. And every album since has done better than the last. It’s really been a very positive force in my career. For sure. There’s no arguing about that.
FFA: So do you use the tools regularly?
EH: Yes. Absolutely. I try to live through them… By using them all the time… Like in every moment. After a while, it transcends “using the tools” and just becomes… a way of life, a habit, how you live.
FFA: Have you used the tools specifically about your career? In other words is there a direct correlation between the success you’ve had and using the Avatar tools?
EH: Yes. Absolutely. In terms of using them specifically around my career, I learned from some of the more experienced Avatars out there – and I’m not sure if this is “a thing” or not… But I learned that they might go to a course and dedicate that whole course to just one aspect of their lives, like say their career, or money. Other things come up of course, because it’s all connected, all the different aspects of our lives… but I went to a Pro Course [The Avatar Professional Masters Course] and decided to dedicate the whole course to my career. And it was a truly amazing experience. Doing it that way.
FFA: In what way?
EH: Just the discipline you have to have in order to do that, to stay focused on one thing; controlling your will to be able to do it. And then the variety of tools available to you to explore that one aspect of your life. They offer you so many different perspectives you’ve never thought of before. And the course keeps you on track to really get to the bottom of things. In whatever you’re focusing on. In that case, tackling your beliefs about one specific subject, like your career, from the variety of different angles that are provided to you by using all those different tools. We released the Rise and Shine album a few months later and that album took off bigger and faster than we ever expected. It opened the door for us. Before that, we were a new and relatively unknown band. After that album, we became a national act. The songs were charting in cities all over the country. That was when I first started learning about where all these cities were that we hear about all the time around the country. From the radio station play charts. [laughs] I can’t help believe that part of what helped all that to happen was because I had dedicated that course a few months earlier to focusing just on my career. It was so effortless.
FFA: Have you done that with other areas of your life? Is it something you always do?
EH: No it is not something I always do. But I have done it with other things. But not usually. I did it regarding relationships one year and that was also very successful. I found my soul-mate because of doing that I believe. I cleaned up all the beliefs I had about love and romance and relationships… But usually I just take the courses and allow whatever comes up to come up. And you know, what I notice is that if your attention is on your career, then that’s what’s going to come up for you anyway. So it’s not really necessary. It all tends to work out perfectly if you don’t fight it and you just let it flow. Ultimately it’s your consciousness, no one else’s. You just have to decide if you want to be a victim of it or the master and leader of it.
FFA: That’s well put. So how do the courses affect your music? As an artist?
EH: Well I get that question a lot. And the answer is I honestly don’t know. I know that the answer is supposed to be really incredible and mystical or magical in some way… There’s this expectation there it seems… But honestly, in terms of music, I’ve been writing and playing music since I was a kid, since before I could walk. So if I were to be totally honest, I don’t know what affect it’s had. Freedom maybe?
FFA: That’s fair. Freedom in what way?
EH: Well… I can tell you this. When I first took the Avatar Course and then the Masters Courses, I felt OUT OF THIS WORLD. I had never felt so good in my life. Just like… I don’t know, flying is how I would put it. High as a kite, but without drugs. High on life. [Hale is very animated as he speaks. His eyes are wide and he uses a lot of hand gestures.] I felt SO confident and SO fresh and new and GOOD inside. I KNOW that came through in the music I was writing back then. It gave me a feeling of invincibility and that definitely translated to me having a new-found confidence as a musician and as a writer… to write whatever I wanted to and forget about any of the so-called “rules of the business”. You know? So in that sense, the courses did affect my music tremendously.
FFA: Some of your songs are very spiritual. You tend to write more specifically about spiritual matters than other mainstream rock or pop singers…
EH: So now I’m mainstream? That’s a first!
FFA: You know what I mean, singers in the public eye… most of them don’t write about spirituality as much as you do. Even the ideas of Avatar and Abraham Hicks are referenced. I also couldn’t help notice that you credit Harry Palmer on some of the songs.
EH: Well yeah, [laughs] you get so excited after you first learn all that knowledge. It’s a big WOW moment. Like discovering chocolate or sex for the first time or something. [laughs] But bigger. Just the knowledge is mind-blowing, right? So it’s a given that you’re going to want to share that with people. Just not go overboard with it… hopefully. But if you use the tools on a regular basis, if you practice BEING an Avatar… then you feel like you’re walking on clouds most of the time. Those ideals and principles are embedded in you. Simple things. But profound. So they tend to come out in the lyrics. If I write a lyric that sounds really close to something I’ve read then yeah I’ll give credit to wherever I think credit is due. When I was younger I was writing a lot of songs about spirituality and transcendence and stuff like that and it really did feel like I was channeling the ideas of Avatar through music at times. So I would credit whoever was the inspiration. That doesn’t make our publisher very happy [laughs] because it creates a lot more paper work. But it’s the right thing to do. Harry Palmer’s ideas have been a huge influence on me and how I think… ever since I was a kid.
FFA: Does he know that he’s written songs with you?
EH: I don’t know. [laughs] That’s a weird way to put it. But I’ve never kept it a secret. We’ve never talked about it. I always wonder if he gets these checks in the mail and then wonders where they’re coming from. [laughs]
FFA: You’ve also had tremendous success in business, as an entrepreneur.
EH: I’ve tried. [laughs]
FFA: Well you have. That’s an aspect of your career that isn’t talked about as much. You were a successful entrepreneur before you were 30, irrespective of your career in music. And that seems to be a running thread throughout your life, starting businesses and being in business, since you were very young. [Hale started his first company at the age of 20 when he opened up a rehearsal and recording studio. Since then he’s owned health food stores, juice bars, a vitamin manufacturing company, a business consulting company, a record label and a real estate investment company.]
EH: Yeah, for sure. That’s another one of those things that I just absolutely LOVE. Business. Being in business. LOVE it.
FFA: You say that about a lot of things!
EH: Maybe I do… [laughs] I don’t know. I guess I just love a lot of stuff. Hey that’s the Ambassador!
FFA: So what is it about business that you love?
EH: Well I was raised in that kind of an environment, number one. I grew up with my parents owning businesses. So I think that was instrumental in it. And I have just always enjoyed being in business for myself more than working for other people. Though I don’t necessarily believe that it’s easier. I actually think working for other people – especially for a large company – is the easier path to take, for sure. But for someone like me… I just could never imagine doing that full time and long term. Plus, there’s also a real rush you get out of the risky and adventurous aspect of being in business for yourself. Unlimited reward but unlimited risk as well. I get off on that.
FFA: But how do you keep up with it? And how does Avatar affect it?
EH: You know that’s two questions, right? [laughs] I’ve always been fascinated by being in business for yourself. Since I was a kid I always admired those kind of people. Tony Robbins has been as big an influence on me as say, someone like John Lennon. Almost equal. And I also found that I was good at it, or at least lucky in it. So I keep up with it as best as I can. Probably not as well as I could honestly. The Avatar thing, that’s a different story. It helps obviously. I know that. That’s the thing… Avatar helps you with everything. It’s not just one aspect of your life. It’s your whole life that is affected.
FFA: You’ve talked about Harry Palmer and Tony Robbins a lot throughout your career in interviews. They seem to come up quite a bit.
EH: [laughs] Yeah I guess I do. But hey if you’re going to have mentors, they might as well be great ones. And for my money those are two of the brightest minds in the world today when it comes to personal achievement. Even though they’re very different. Stephen Bauman too. He’s more of a spiritual intellectual who keeps your integrity on its toes. But really all of them do that. [Stephen Bauman is an author, speaker and Methodist Pastor in New York City]
FFA: I know your love for Tony Robbins and Stephen Bauman. But in relation to this website and its readers, how does Avatar help with your success in business?
EH: Well to me I think the answer to that question is obvious, but for someone who’s never taken any of the Avatar Courses before…. okay, we can go there… Say you’re experiencing the same challenge over and over again in your business. Everything seems to be going well except this one thing… Or perhaps LOTS of things… You can keep banging your head against the wall over it… Hire new people, recruit consultants, read more books, take more classes, etc. etc. OR you can take a look at the beliefs underneath this problem and once you discover them, you can then DIScreate them. That’s a term that Harry Palmer came up with in the Avatar Course. It’s brilliant. And voila! They’re gone. That challenge will no longer be there. THAT’S how it can help. It’s miraculous. If people have ever seen that movie The Secret… it’s like that. But it’s real.
FFA: You make it sound so easy.
EH: Well in a way, it is. Not all the time. But it isn’t rocket science. It’s a very natural thing. It’s an organic process, just like breathing oxygen. We just have to re-remember it… Discreating limiting beliefs helps us remove obstacles in our life that up to that point seem insurmountable to us. I can honestly say I would not have experienced the level of business success I have had in my life, especially as young as I was, without having that knowledge and those tools. To me it’s a no-brainer. The same with religious faith. Both help.
FFA: Speaking of obstacles, you’ve had your share and always seem to bounce back, which has been an inspiration to many people. What’s the secret? Or does that give away the plot to your new book? [Hale has a new business/inspirational book coming out this year entitled Bouncing Back When Flat]
EH: Besides what I just said? [laughs] I mean that kind of sums it up, right?
FAA: I was hoping we could go a little deeper.
EH: Okay well which ones? There’ve been a lot of them. [laughs] It hasn’t been as easy as people seem to think it has. It never is. Not for any of us.
FFA: A few years ago you experienced a major business setback that left you broke and even homeless for a while, which is what your new book is about. I’ve read some of the interviews about that experience and it’s shocking. But you turned it around. What I’m trying to come to is how you did it… [In 2006 Hale discovered that his business partner, Naomi Whittel (nee Balcombe), now at Reserveage Organics, had sold one of the companies he had founded, Ageless Foundation Laboratories, without his knowledge to a publicly traded company. Hale didn’t even know his company had been sold — finding out only through the SEC filing, and Naturade Inc., the company who purchased Hale’s company, didn’t even know Hale was an owner of the company until months later. The story has been written about extensively, but Hale has been relatively quiet about it until a few interviews last year.]
EH: Yeah, that… [This is the first time in the interview Hale becomes quiet, anything but animated.] That’s still a tough thing for me to talk about. But I understand that it’s important and why you think it’s relevant. I’m still coming to terms with it all.
FFA: Well that’s why you wrote this book, right?
EH: Yes. Absolutely. It’s an important story. I know that.
FFA: Not many people can imagine living through that kind of a setback, let alone bouncing back from it. But you did. Rather quickly some would say. And you have had tremendous success since then. More-so even.
EH: Yes, I know. And I’m very grateful for that. Hence the book. If I can do that, then anyone can do anything. That’s how I look at it.
FFA: I read an interview you gave last year where you did talk about it and it was inspiring. I only ask because the story does have a happy ending. You didn’t let it take you down, but instead you found a way to work your way back to the top. That’s an incredible achievement.
EH: Yes, it did take me down. I mean, how could it not have? One day I was going about my business and living my life, not a worry in the world, and then in one fell swoop everything I had in the world was gone. Bank accounts, credit cards, my company, retirement savings. Everything. Gone. It was the single most challenging thing I’ve ever lived through. For sure. But you’re right, I didn’t let it keep me down forever. I started from scratch and rebuilt. And slowly I was able to rise back up.
FFA: Without giving too much of the book away, how were you able to do that?
EH: Well for one thing, my faith is very strong. We’ve talked about that. I’ve never hidden that. I try not to be preachy, but I also think it’s bullshit, pardon my French, when entertainers keep their faith in the closet because they’re worried about how it’s going to affect their career.
FFA: You’ve certainly never done that.
EH: No, I haven’t. I talk about it when it’s appropriate. It’s important to me and I believe it’s important to a lot of my friends and fans.
FFA: You write a lot about religion and faith in your blog and sometimes sound almost anti-religious, almost like an atheist, which I know you’re not. And yet at the same time you write a lot about being a Christian and how challenging it is. Can you explain that a little?
EH: Well I’m definitely not one of those “100% sold” kind of people. I think anyone who’s really honest about their religious faith is going to be confused about it… and struggle occasionally. Because there are just so many contradictions in religion and spirituality… The difference with me I guess is that I haven’t necessarily chosen a side yet… I’m still open to all of them…. dissecting it all. And I explore all that a lot publicly in the Diaries. [Hale is referring to his long-running blog The Transcendence Diaries].
FFA: I know a lot of people find that inspiring. But you also anger certain groups of people with this “openness”.
EH: I know. And I don’t mean to. What I’m really doing is what I believe we should all be doing if we’re serious about spirituality and faith… questioning, studying, exploring. I’m not trying to make anybody mad or even question what they believe. To me it’s fun. It’s academic. But it also meaning beyond that.
FFA: I think most people recognize that. So your faith is one of the things that brought you through that business challenge?
EH: Without a doubt. A lot of reflection and prayer. And a lot of counseling with mentors. Seeking advice from older people that I looked up to. Also I had a really strong community around me. Family and friends who were there for me. That’s a tremendous asset. Something that you can’t buy. If it weren’t for that, I don’t know if I’d be here today. Because when that kind of thing happens to you, you really start questioning your life. All your effort and hard work and even your beliefs, things that you’ve taken for granted your whole life all of a sudden… you start questioning.
FFA: Like what?
EH: Well like… just everything. For example, you assume that if you work hard and you’re a good person that you’re going to succeed. That’s what I’d ALWAYS believed. My whole life. And I experienced that. Over and over again throughout my life that’s what I experienced. And then when this happened, it was so shocking, that it was hard to put those pieces back together, of that belief. It didn’t ring true to me anymore. Being a good person did NOT equal being successful. I started wondering if maybe that was just bs and perhaps we were supposed to be bad people and that was how to succeed. That was my first gut reaction of course. It took me some time to overcome that idea…. because bad people seem to succeed just as much as good people.
FFA: It’s easy to see how you could come to that.
EH: Right? But here’s the thing. I was wrong. We’re not “good” people because we want to succeed. We’re good people because we believe that’s the best way to live life. You know? My friends and family would call me every day, I mean every day, just to see how I was doing and check in on me. That was a big help. And we would talk about it and little by little they got through to me. I remember this one time I was driving around Manhattan with a friend, Big Mac, I LOVE this guy. He’s super funny, a southern guy. And he had just finished seminary at Princeton… So he is a spiritual guy too…
FFA: You write about him in your Diaries. I know the name.
EH: Yep. I write about EVERYBODY in the Diaries. Much to their displeasure! [laughs]
FFA: I definitely want to talk about that later, because I have a lot of questions about your blog and the reaction you’ve gotten through the years, but I don’t want to interrupt your train of thought. So go on with the story.
EH: Okay… So I was telling Big Mac how I was trying to make sense of God’s plan for my life with making this horrible thing happen to me. With Naomi and the business. That perhaps God was trying to show me a different path to take, rather than all this success and being a business tycoon that maybe God wanted me to be more focused on making the world a better place. And Big Mac, he just looked over at me and said “Bro I could never believe in a God like that.” I’ll never forget it. That was just one of those moments in life you never forget. I was like “What do you mean?” And he said “Ed, God doesn’t make bad things happen to people. God is grace. And love. Who did this to you? This Naomi chick did this to you.” The way he enunciated her name in his southern drawl… I can still remember it… He said “People did this to you man. God didn’t. God is the one helping you. Not hurting you.” I turned around in my seat and I began to cry. Right there in his truck. Because that was exactly what I needed to hear in that moment. I had been so puzzled by it. I couldn’t figure out WHY it happened… I was still trying to make sense of it. But he made me realize in that moment that it didn’t have anything to do with God or God’s plan… it was people. If anything, God is there to help us, not hurt us. At least in his view.
FFA: And is that your viewpoint now?
EH: Yes. Absolutely. That really resonated with me. When he said it. And looking back, still, it totally changed my whole point of view. That’s what I mean by my beliefs were being challenged. I was actually so fooled for a while there that I thought maybe that “God” wanted me to suffer in that way… It’s crazy. But luckily, if anything it made me stronger. And more importantly it offered me a reference point for how to view life when bad things happen to us. That it’s not about blaming God, every time something good or bad happens to us. People were the cause of it. And more importantly so was I.
FFA: How so? How were you the cause of it?
EH: Well that’s the part where I think I got the most out of the experience. Where if there is anything positive to take away from it, I got it. The first thing I did, because I had taken Avatar, was I started looking at my own past actions to see what was there, what had I done, in my life… I started reflecting on my own responsibility in the whole thing, instead of blaming anyone – and trust me it was easy to blame people… it was a horrible thing they did, they broke the law in a hundred different ways, and worse… broke my heart by taking advantage of our friendship… I HATE stuff like that… people like that. But I knew I needed to look for where and how I was responsible… So on the one hand, I saw how we have to be real when it comes to people doing harmful things to us; it happens. We can’t live in a bubble and pretend that there aren’t bad people out there. Because there are. But I also saw that I had some responsibility in it too.
FFA: That’s admirable, but in what ways were you responsible?
EH: Well I can’t act like I did anything overtly wrong to cause it… Sometimes people can make the mistake of over-owning things I think. It’s not like I was acting unethically or broke the law or something… I was a good guy. Same as I am now. But I had been warned that that kind of thing might happen before it did… at least a hundred times before to be honest. It wasn’t like it came out of the blue. I had been in business with Naomi for years. And that was the main thing we argued about, was her always wanting to break the law and me always saying that we most certainly should NOT. And our employees would always be stuck in the middle, between our two viewpoints. She constantly accused me of being “self-righteous” and I just wanted us to play it straight. So I had definitely been warned already. But what had I done about it? Nothing. Sure we had stacks of legal agreements between us that prohibited us from doing those kinds of things… But based on what I’d already experienced with her in the past, I should have known better. I should have taken more action BEFORE all that happened. And I didn’t. Why? Because I was being lazy, yes… or because I was resisting conflict. For sure. I didn’t like conflict of any kind. I love people and I love harmony and I’m all about love and peace, you know? So I just pretended like everything was fine when I knew it really wasn’t. I could feel it…
FFA: You were in denial… of your intuition?
EH: Yes, absolutely. Living in denial. Pretending. I helped to create the whole thing through knowing about the potential for something like that to happen and NOT doing anything about it. NOT acting when you know you should can be just as bad as TAKING an action that’s harmful.
FFA: So you took responsibility for the experience? Did that make it easier to deal with?
EH: Yes, absolutely. It gave me a sense of relief. It enabled me to feel the remorse for my non-actions that might have contributed to it, and other things, and then to move on. What it does is help you feel responsible for it rather than like a victim of it.
FFA: That’s a great example of using what you learn in Avatar in the real world.
EH: Yes. Totally. I think so. That one experience compelled me to fill three whole notebooks with actions from my past that I felt weren’t necessarily aligned with being a good person and to make amends for them. In order to get a fresh start. It led to a lot of self-reflection and taking responsibility for my past. I became a better person through doing all that.
FFA: When you’ve written about the experience that’s what you mean by it also being a positive experience…
EH: Yes. Let’s face it. No one wants to go through something like that. To have everything you own taken from you by other people. That’s a bad thing. The betrayal aspect of it alone is enough to make you feel so discouraged and ungrounded… so unsure of yourself and the world. When someone lies to you so overtly and is doing it from a place of friendship, it can really screw with your mind. But you have to find a way to turn it around and see the positive side of it. And for me the best way to do that was to start looking at me instead of at the others. And to start planning how I could improve who I was as a person… Once again I saw firsthand how our actions in the world can affect others, either in a positive or in a negative way. That’s the least we can do. Take stock of our actions and make sure we are having a positive impact. So that’s what I did.
FFA: That is inspiring. And within a few years you had overcome it and were back on top again with three hit albums, songs on the Billboard charts, and your now infamous trip to Iran… Do you think there’s any correlation between what you went through and the success you’ve had?
EH: No. I don’t. Maybe, I don’t know. I know it inspired me. But only through necessity. Before that happened I was really enjoying life. Taking advantage of how hard I had worked and how successful I had become. After that, I was forced to go back to square one and start over again and rebuild my entire life and career from scratch. It really inspired me to become successful again. I was determined to. So in that respect yes there was a correlation. But I’ll tell you this: no one should ever believe for a minute that they need to endure some kind of tragedy or suffering in order to succeed. That would be a very impeding and unnecessary belief to cultivate.
FFA: That’s a good point to make.
EH: Well if you go and read a lot of the articles that were written when our first album after that experience came out and became successful there is a lot of attention paid to the whole rags to riches aspect of it, “from homeless to Billboard!” became a headline. As if there was a romantic aspect to it. And I can promise you that there is nothing romantic about going through something like that. If you can avoid it, do so.
FFA: Well the story is an appealing and inspiring one, from an entertainment or person of interest point of view. You can see that…
EH: Yeah, I can. Totally. Which is one of the reasons why I wrote a book about it. I mean, I get it. How often does something like that happen to a person? Not very often. It’s more like a movie than real life.
FFA: There is another aspect about that experience that I wanted to have you talk about if you don’t mind, because I think it’s important. Ultimately you decided to settle the whole thing with your partner out of court. Yet the case still remains unresolved years later. Why did you decide to do that? And do you regret it now? [Naomi Whittel signed a settlement agreement to pay Hale for the sale of the company in order to render it a legal transaction months after the sale and prevent the case from going to court, but the agreement has never been fulfilled.]
EH: Well that’s more than just one question….
FFA: Okay. Why did you agree to settle out of court? Why didn’t you just go about it in a more traditional business manner?
EH: You mean by taking legal action?
FFA: Yes. Laws were clearly broken. Contracts were breached. It seems like an open and shut case.
EH: Right, I know. And it was. I get this question a lot, especially from other business people. There was a ton of criminal activity revealed. Fraud, forgery, tax fraud, embezzlement, a lot of lying and stealing… You know. Crazy stuff. It was something right out of a movie. Totally unreal and way outside anything I’d ever dealt with before. It’s insane when you think about it. This was a situation where yes, I probably could have played tougher… But for one thing, there’s a good chance that Naomi would have gone to jail if I would have gone public with it by taking it to court. And I was still operating under the misconception that Naomi and I were friends. We had been engaged to be married after all for years. So I still cared about her as a person. Secondly, she literally called me every day for years from the moment I found out what she had done…. Begging me to settle. Even though it may seem in retrospect like such an open and shut case now, at the time, I was still receiving these calls from her every day begging me to settle and not go to court. I felt very pulled. Between my loyalty to her as a person, and to her family… And to doing the right thing perhaps…
FFA: So now you think that taking it to court would have been the right thing?
EH: Well it would have been the more normal action to take under those circumstances…. But also I felt that there had already been enough legal action in our lives. I mean, she had created such a huge mess of legal actions for us already. It was all lawyers and law firms galore… for years. No one was winning except the law firms as they say. But because I had made peace within myself about it, and she was pushing hard for an out of court settlement, I looked at both outcomes… Part of me really wanted to “get justice”. Because in business that’s what you do. If someone commits a criminal act, they deserve to get what they get, right? Justice, to the full extent of the law. I got that. But at what cost to me and my own sanity? And at what cost to my family and friends? They’d already been through the ringer because of what happened. I reflected on it and prayed about it a lot… And it just seemed like settling it was the right thing to do. To put it behind us as quickly and smoothly as possible.
FFA: Plus you assumed that once you settled that it would really be over and behind you as you say.
EH: Yes, I did. Totally. I thought that would be the end of it. The end of “the Naomi saga” once and for all. It happened. It was bad. But the ball was in my court. I could sue and drag it out in court for years, or I could forgive and settle and move on with my life.
FFA: But it didn’t end there. After all that, the settlement agreement remains unfulfilled. Which is what led to the major setback you experienced. So do you regret that decision now?
EH: Yes and no. Yes, because I wish it were over. I regret what I had to go through. And I am sublimely shocked that we’re still talking about it years later. I don’t honestly know how she can deal with it still being out there open and unresolved. But no, because in that moment I feel like I made the most responsible and mature decision that could have been made at that time. Trust me, forgiveness in those kinds of situations is difficult… but it’s the HIGH road. Being vindictive or seeking vengeance, that may be the more common road, but it’s not the high road.
FFA: Yes, as an Avatar I completely understand you choosing forgiveness over revenge. Even though in the end it was a costly decision…
EH: Yes, it was. So far at least. But I’m still giving her the benefit of the doubt. That’s the part that a lot of people don’t understand. At first she swore up and down that she had nothing to do with it, that she was “forced into it by her husband and this pack of evil attorneys” they had hired. I didn’t necessarily believe her… But you know, when you’re close to someone like that… It’s hard to cut the line completely that connects you. There is still love there. And compassion. You want to give them the benefit of the doubt.
FFA: But it sounds like a very one-sided kind of compassion.
EH: Maybe it is… That’s something I wonder about sometimes. Long story short, she swore up and down that she had every intention of fulfilling the agreement, and more than anything she was just afraid. At the time I felt like I was doing the right thing, by being compassionate and forgiving, because that’s what WE do, right? And protecting her…
FFA: Yes, I agree. That’s what we do. But this brings up the question of when is it better to look out for yourself by taking a more Guardian Heart approach? [Guardian Heart is a concept explored in the book Resurfacing by Harry Palmer.]
EH: I know… There’s a fine line between being a nice person or a good person and letting someone take advantage of you… They are two different things. And sometimes we confuse them. Maybe I’ve crossed that line now… I hope not. But I can tell you now, after going through all of that, I understand the importance of the Guardian Heart a lot more now, of not confusing being a nice person with being someone who allows others to take advantage of them. That IS something that we tend to get confused sometimes as humans. I also see the importance of standing up for what we believe in or just being committed to protecting ourselves and our loved ones. I know what you’re getting at. And I am in no way attempting to promote forgiveness as being equal to letting people take advantage of us.
FFA: There is a certain responsibility we have to ourselves and to others in defending integrity and justice for the good of everyone…
EH: Yeah, absolutely. And that’s one of the reasons why I decided to write the book about what happened. It’s not just about the inspiration factor. But more about the responsibility to others. Not just to inspire other people who might be going through a similar challenge, but also to warn people that this kind of thing can happen to the best of us. No matter how nice we are or how good of people we are. No one is immune to it. You have to look out for yourself, no matter how nice of a person you are. But it is how we deal with it that is the true measure of a person.
I remember Tony Robbins telling a story once about how he went through a similar experience in his business life. His CFO was also his best friend and he discovered that this guy had been embezzling a ton of money from their company and it just shattered him; challenged his optimistic outlook for a while. When he told that story, I couldn’t relate to it at all. I was too young. I had never gone through anything like that. But when almost the same exact thing happened to ME… THEN I could relate to it. And knowing ahead of time that he lived through it really helped me. His story and his struggle with that inspired me. And I’m sure there are a lot of people who would be surprised that something like this even happened to me, because I’ve never really talked about it openly before. But I get it now. That responsibility to share it so other people can learn from it. That’s important.
FFA: I believe it is too. Not to spoil the finale of your book, but can you share at least a little about how you were able to rebuild from something like that? Tangible things, actions that you took.
EH: Yes, absolutely. If you can imagine waking up one day and being absolutely flat broke after years of working and having made a ton of money… Going from wealthy to broke overnight. That money still exists, but you just can’t get to it. Someone else now has control of it. You can’t even afford your next meal because your bank accounts have been taken over. Horrible right?
FFA: I find it hard to imagine. I think most people would.
EH: Well me too… Until it happened. After it happened, I wasn’t just broke; I was also extremely disheartened. It was hard to believe in humanity at all. But I didn’t want to become a jaded person. Or cynical. Or believe the worst in people. So I used the Avatar tools to let all those potentially negative beliefs go. I discreated them. And I deliberately created being who I really believed I was: a generally positive and optimistic person who believed in myself and others. I took every guitar I had and walked each one to a different friend’s house and left it there and said “I’ve been hit in a bad way. You know this. I need money for an attorney and money to eat. Here’s a guitar. This is what it’s worth. If you’re willing to help, I’ll leave it here till I can pay you back.” And you know, every friend I had was more than willing to help me out. It makes me emotional still. Because it really showed me how powerful friendships are. I had guitars all over the city in different people’s homes as collateral. And honestly half of my friends didn’t even care about collateral. That was just for me. To make me feel more comfortable in receiving help…
FFA: That’s exactly the kind of thing I was hoping you would share. These tangible actions that you took. I think people will find them very inspiring and informative.
EH: Well yeah, obviously in that kind of situation you have to find a way to get on your feet. Just to be able to eat. The part that hurt the worst is that Naomi and I were connected at the hip for ten years before that. We were engaged to be married for God’s sake. AND business partners for years after that. So she knew that once she did that that I would literally not have a cent to my name, nor even a way to eat. It was astounding to me that someone could do that. But once it happens you have to move on and find a way out of it. So that’s the first thing I did. Then I hired an attorney to help me sort out just what the hell happened. And then I started doing consulting work to bring in money. Business and health consulting. And of course liquidating assets. Physical things… And then I started hardcore trading again.
FFA: You mean trading in the stock market?
EH: Yes. Something I already had a lot of experience with. But besides real estate there’s no faster way to make money fast when your funds are limited. Of course it works in the reverse as well. So you really have to have a strong stomach and nerves of steel. But it was all about taking very real and tangible actions to move forward and start to rebuild. All of this AND still trying to finish recording the new albums with the band at that time and play shows in different cities.
FFA: I remember that. I bet a lot of people wondered why you changed so many things in your life at the time.
EH: Yes I’m sure they did. Because I also leased out my apartment in Manhattan for a while to make money. Whatever it took. Living with family and friends. It was a freaking nightmare honestly. But it was also a tremendous challenge and so kind of fun… When people asked me what was up, I didn’t hide the truth. But I also didn’t advertise it. I just kept moving forward. It was an insane position to be in. But you start from where you are. You start with the basics. You create being happy to be you, and simple things like “I can do this”. “I can make it happen”. “I believe in me”. Things like that. Using the Avatar tools to create those realities. Or whatever “tools” you have available to you. In spite of how challenging things may appear. You do it anyway. And at the same time you announce it to the world. Tell everyone what you’re doing. For me that meant telling everyone “The Ambassador is down but he’s not out! I’m rebuilding the empire!” Perceive it as a challenge, a doable challenge. And set about every day to being real with where you are… but also striving toward bigger things. I truly believed that I had learned a valuable lesson, but that I was not meant to stay down for long. That was not my destiny. I didn’t take all these courses and read all these books to let one major setback ruin my life forever. I was totally committed to rebuilding in spite of that setback.
FFA: When the first song from your new solo album made it onto the Billboard Charts, after going through all that, did it feel like your hard work had finally paid off?
EH: Are you kidding? Yeah. It was amazing! We laughed, we cried. And then laughed some more. A lot of jumping up and down screaming. One of the greatest days of my life. Friends calling from all over the country because they just heard the song on the radio or in their car… Things like that. I think because of the immense disadvantage I had been placed in – and everyone knowing about it…. That’s what made it so much more enjoyable for everyone. To be down like that and to rebuild it all from scratch and then top it off by hitting the Top 40 a few times. That was an amazing moment for sure.
FFA: You really did “bounce back when flat” as you say.
EH: Yeah, it’s hard to believe. But we did it!
FFA: And it didn’t end there. Around the same time, you were invited to be one of only a handful of Americans to visit Iran post-revolution on a peace mission. How did that come about? [Hale visited Iran in 2009 on a well-publicized Civilian Diplomacy mission along with eleven other Americans in leadership positions from a wide cross section of different industries. He represented the arts. He just returned from a similar trip to Israel-Palestine recently. In between he’s also visited countries in Africa, Europe and Central and South America to build homes and community centers.]
EH: I’m glad you asked. Because it’s actually a really magical story in a way. I was at this silent retreat at a convent of nuns…
FFA: You always say these things that sound so outrageous… Like you’re narrating a movie.
EH: Hah! Well I’m telling you, this is what happened. It sounds crazy. But that’s how it went down. I was at a silent retreat at a convent of all these sisters in the middle of nowhere in upstate New York. Episcopalian I think. And you couldn’t talk for like a week. So I used that time to just unwind and decompress. But they had this policy where during meals you could do some light talking… something like that. I met this one sister who was really cool, very hip. And we shared this passion for global human rights activism. We couldn’t really talk that much. But we got to know each other. And at the very end of the retreat she told me about this historic upcoming delegation of Americans who were headed to the country of Iran for a two week peace mission. She said that the application process had expired, but that if I got mine in really quickly that she’d put in a good word for me with the international organization that was putting the thing together. I had been trying to get into Iran for five years. I must have applied ten times and was denied every time. I had already been studying the language, Farsi, so I could speak the language a little bit… That helped. And you know, there’s more, but basically, it all came down to me being at this silent retreat in the middle of nowhere that got me into Iran. Sort of. I suppose it was more than that. But that was the original impetus.
FFA: Being in the right place at the right time. It’s fascinating how these little miracles happen in our lives when we’ve put our attention and intention on them.
EH: Exactly! First our attention, then our intention, get rid of beliefs or ideas that are in the way and BAM! Things manifest!
FFA: Can you talk a little bit about your activism?
EH: Well it is something that I am passionate about. I think it’s an easy way to feel good. Because you’re giving back. It’s not all about you. It’s nice to step outside of it being all about us sometimes. A lot of times actually. [laughs. Hale has become reanimated. His eyes have that light back in them.] Every one of those trips will stay with me forever. I hope this is only the beginning.
FFA: And again you started a business around it. But this one was a non-profit. What is the goal of your PeaceWithIran.comorganization?
EH: Just that. Peace with Iran. Exactly what it says. I honestly see it as a reality. I see it happening. Maybe not this year. But soon. The alternatives are far worse than the simple act of a peaceful reconciliation between the two countries.
FFA: From your mouth to God’s ears. What was the most important thing you learned from your trip to Iran?
EH: Great question. I’ve written a lot about this already, but I’d say that the first thing that struck me was how genuinely nice they are there and how much they love Americans. That was very much a surprise for me, for all of us on that trip. We never hear about what nice people the Iranians are here in the States. And we also don’t hear about how much they love and admire us here. That’s an important thing to share I think.
FFA: What other areas of activism are you interested in moving forward?
EH: Well now a lot of my focus lately has been on Israel and Palestine… That’s the real hotbed I believe… Even in regards to Iran, it seems to all come down to Israel and Palestine at the foundation.
FFA: Before we go too far off into world politics, can you talk a little bit about your new albums? What keeps you motivated to keep making music at such a rapid pace?
EH: Well I tend to write a lot of songs. AND at the same time I tend to have a lot of ambition when it comes to always wanting to out-do what we did last time, artistically. Every time we get an opportunity to make a new album it feels like such a privilege. So at first we just head into the studio to record our quote-unquote next album. It always starts out as a simple process and then it just starts to slowly get more and more complicated. So it’s just me wanting to challenge myself, see how far I can take it I guess. And the fans, their reaction to it…
FFA: So are the album titles official now? The ones that were just released to the public?
EH: Almost positively yes. Welcome to the Rest of the World for one, and Another Day in the Apocalypse for the other. They’re starting to sound really different from each other now. And the songs have been chosen for each. So we can see the finish line… finally.
FFA: So when can people expect to hear the first single or finished product?
EH: We’re not 100% sure, but my guess would be sometime this spring or summer…
FFA: Well I know a lot of people are excited to hear the albums. The last thing I want to ask you is if there was one thing that you could share with people about any of the Avatar Courses, what would it be? As someone who has taken all the courses and continues to do so.
EH: Well that’s easy. And hard, because there’s so much you could say about it. I mean, it’s a HUGE thing, right? I write about it a lot actually. On the one hand, it’s a way of life. It’s a way of being… You learn a whole new way of being, through becoming more adept at feeling and using your intuition… You become more honest and real. More in line with the truth. But on the other hand, it’s also just a series of courses. You know, it is what it is, whatever each person makes it out to be. I guess that’s what I would say about it. That in essence, the Avatar Course is essentially just a series of courses that contain all this confidential knowledge that you sort of already know, way down deep inside, like it resonates strongly when you read it, as if you’ve known it all your life, right? [Hale is once again excited and animated] And yet now it’s been broken down into very easy to understand and doable steps. That’s amazing! No one had ever done that before. I could go on and on… but put it like this: Take all the cool stuff that we’ve read about in metaphysical and new age books, AND all those documentaries about quantum physics and the so-called paranormal, and then turn all that into a nine day course filled with exercises and processes that teach you how to actually do THOSE things. Tools to help you gain more control over your life and the world around you… more personal power. Now do that with hundreds of thousands of other people from all over the world speaking seventy-something different languages! THAT’S what Avatar has turned into now after almost 30 years. A giant collection of the most enlightened or maybe better put the most enlightenment-seeking people on planet earth. It’s the coolest thing happening in the world right now hands down. Hundreds of thousands of people from all over the world working on being the best they can be AND trying to make the world a better place! Incredible stuff. People always ask me, “Is it worth the money?” And I’m like “Oh my God, no… it’s worth ten times as much.” Talk about a paradigm shift. If someone is looking for a real paradigm shift –something really transformative in their lives – I can’t think of anything else as powerful or noteworthy. At least not yet anyway. Out of everything out there. And I’ve tried it all and then some.
To find out more about an upcoming Avatar Course, visit www.Avatarepc.com
To find out more about Ed Hale, visit iTunes or www.edhale.com
LOS ANGELES, CA –WABC NEWS — 07/27/12 — Modern rocker turned accidental Adult Contemporary star Ed Hale (www.edhale.com) is back in the studio working on his latest solo album — and he’s letting fans in on the action.
Beginning July 30, the singer, joined by drummer Bill Sommer and bassist Roger Houdaille — both members of his longtime band, indie rock stalwarts The Transcendence — will offer an intimate glimpse of the sessions, video streaming live from NYC as they record the final tracks for the release, scheduled to drop this fall.
The as yet untitled collection is the follow up to Hale’s solo album Ballad On Third Avenue, which has spawned two Top 40 hits for the singer, the dreamy acoustic protest ballad “New Orleans Dreams” and the romantic “Scene In San Francisco.”
The project is being produced by Houdaille, frontman for the band Ex Norwegian and longtime member of The Transcendence, and features contributions by all the usual members of The Transcendence and honorary members of the band.
The Transcendence’s long awaited new album The Great Mistake is scheduled for release September 18.
Hale and his band will soon embark on a ten-city tour that will feature songs from both Hale’s solo albums and all the Transcendence albums. The shows will feature the entire crew of Transcendence alumni reunited and playing on stage together for the first time since 2008.
The tour kicks off with a homecoming show at the Gibson Showroom in Miami before heading to other Gibson Showrooms in nine major U.S. cities, including New York, Los Angeles, Austin, Seattle, Las Vegas and Nashville.
Singer / songwriter / recording artist Ed Hale‘s latest single “Scene in San Francisco” from his current solo album, Ballad On Third Avenue, quickly climbed atop Billboard’s Top 40 in the Adult Contemporary format reaching #25, making Hale the #1 Most Active Independent Artist eight weeks straight. The song also reached #13 on FMQB’s Adult Contemporary Chart. His alter-ego, the Britpop/Indie-rock outfit Ed Hale and the Transcendence just released their fifth album, the epic rock-opera styled All Your Heroes Become Villains to widespread critical acclaim. It debuted at #16 on the CMJ Most Added Chart and continues to garner new fans on college radio as well as commercial Modern Rock stations.
Hale took some time out of his busy schedule to sit down and answer 20 questions.
The latest book or movie that made you cry? A Separation, the Iranian film that came out last year and won the Academy Award for Best Foreign Film. What a magnificent piece of work that was. As was his acceptance speech.
Name a fictional character most like you? Uhhh, just one? Impossible. But off the top of my head… Catcher Block in Down With Love, Cary Grant in Philadelphia Story, Sherlock Holmes as revamped by Guy Ritchie and Robert Downey Jr., Oskar Schindler as played by Liam Neeson in the Spielberg movie. Captain von Trapp in Sound of Music… Professor Henry Higgins in My Fair Lady… It all depends on the mood I’m in I guess.
The greatest album ever? We get this one a lot. And I repeatedly say that it’s an impossible question to answer. But if I had to choose, it would come down to attempting to choose between The Beatles (White Album), Springsteen’s Born to Run, Pink Floyd’s The Wall, David Bowie’s Diamond Dogs, Lou Reed’s Transformer, Roxy Music’s first album, Radiohead’s O.K. Computer or Kid A, Jeff Buckley’s Grace, U2?s Achtung Baby… And that’s just the tip of the iceberg really, as anyone will tell you. But how’s that for a start?
Star Trek or Star Wars? Neither. But if forced into it, Star Wars for sure. Preferably the first three and definitely not any of the last three.
Your ideal brain food? Seriously? Well if you really want the secret, go to your local health food store and grab a bottle of Advanced Gingko Smart by Irwin Naturals and skip trying to get smart with food ’cause it aint going to happen. Not as fast as it can with a good smart supplement. But prepare to fly. You need to have something to DO if you take things like that. Your brain starts working at hyper-speed! But from a different angle, Sunday morning news shows turn my brain on, as do seventies Woody Allen films, or Californication. That show, for as vulgar as it is, still has some of the best writing on television. Or anywhere for that matter.
You’re proud of this accomplishment, but why? Depends on what we’re talking about. Career wise? Entering the Billboard Top 40 as an independent artist with no help from a major record label. Or the last Transcendence albums Nothing Is Cohesive or Rise and Shine. I also have a non-fiction book I’ve been working on for the last seven years with a small group of kickass pop-culture geeks that is just about to be released. Major proud of that. But we’re leaving out the big stuff. I think getting to go to Iran as a Civilian Diplomat to discuss peace with their government was a major highlight. Something I will never forget. But more than anything, meeting my wife, discovering that true love really does exist… that it wasn’t just in my imagination, or something I fantasized about, but that it was real. But the catch is that you have to commit. Through that commitment, the other in turn commits and then it really kicks in, in a way that we never really understand until we experience it firsthand. That was something I wanted my whole life but was never sure really existed until I experienced it myself.
You want to be remembered for…? The fact that I never gave up on art, that I stayed committed to the very end no matter how bad it got. And that I loved madly passionately deeply unconditionally uncontrollably and gave it all I had.
Of those who’ve come before, the most inspirational are? Lao Tsu, Siddhartha The Buddha, Leonardo Da Vinci, Michelangelo, Einstein, Picasso, Jesus of Nazareth, Martin Luther King, Mohandas Gandhi, Nikolai Tesla, Malcolm X, Mother Teresa, Nelson Mandela, Ram Dass… These are all people with a courage and inner strength that I am still waiting to develop or be gifted with, you know. And then of course there’s Prince and Bowie, Marc Bolan and Donovan and Lou Reed, Roger Waters, Paul Simon, Joni Mitchell, Ray Davies, John Lennon and Paul McCartney and George Harrison… musical inspirations. Hundreds of them.
The creative masterpiece you most wish bore your signature? When I was a kid I would have said The Wall by Pink Floyd. Or The White Album by the Beatles. Or maybe even The Plastic Ono Band album by John Lennon. Now I don’t know. I mean, there are so many. Have you ever seen The Statue of David up close and in person? It’s quite the site. It’s mind boggling really. How someone can become that good at something. Almost anything by the man known as William Shakespeare… forget about it. Or perhaps Apocalypse Now by Coppola… a real masterpiece.
Any hidden talents? None. Absolutely none. I have no rhythm, extremely uncoordinated, not double jointed. Not very good at sports. Just nothing. If I’ve got it, I try not to hide it ’cause I haven’t got much. (laughs)
The best piece of advice you actually followed? My old man gave me a coffee mug when I was sixteen years old that read on one side “Do What You Love” and on the other side it said “Love What You Do”. I used to stare at that thing every day for years and contemplate what it meant and how deeply profound those simple words were… I’m actually quite good at following advice. For being so rebellious. I’m kind of a split personality when it comes to that.
The best thing you ever bought, stole, or borrowed? Who me? Steal? C’mon. My personality! It’s all stolen!
You feel best in Armani, Levis or what? Neither. Jeans suck unless they’re big and baggy and even then… For me, a skirt and a t-shirt. If no skirts allowed, then leather pants. Just something about them. And frankly I don’t care who makes them.
Your dream dinner guest at The Ritz would be? When are we going to The Ritz? (laughs) Oh I don’t know man. Too many to choose just one. And too many to fit in the ballroom there that’s for sure.
Time travel: where, when, and why? Time travel, definitely. Without question. And soon. Within our lifetimes I would wager. Not much of the past in terms of going back to check it out interests me. Because we’ve already been there and done that. Unless we’re talking way back, as in back to the Jurassic Period to be able to see what the earth looked like and to get a real feel for dinosaurs. Or even thirty-thousand years ago to get a tangible feel for what prehistoric humanity looked and acted like. That would be cool. But for me it’s all about our future. I’d love to go forward in time enough to see what other life forms other than humans are like. To be able to communicate with them, and share data with them. To see what kind of technology we come up with. That’s the ultimate trip. Way hipper than going back to like ancient Egypt or “the old West” and all that other shit people fantasize about.
Stress Management: hit-man, a spa vacation, or Prozac? Again, that all depends on what we’re talking about. All of the above! They’re all essential elements of surviving this business.
Essential to life: coffee, vodka, cigarettes, chocolate, or…? Coffee for sure. Though I prefer espresso even more. Vodka, hardly. Not much of an alcohol person. There are other things that do the job much better, as Rufus Wainwright once so elegantly put it, “…and then those things that we don’t mention…” Cigarettes, I quit smoking when I was 25 because I knew that was one of those things you don’t get a second chance with. Smoking fucks your whole life up. IN every way. But God did I love to smoke. Cigars even more. When I’m older and no longer need to run around big stages singing my butt off I’ll return to my love affair with cigars. And chocolate, you know, compared to love and sex… I can take it or leave it. I never crave it. Though Fran’s Grey Sea Salt Caramels in Dark Chocolate… I can eat a whole box of them! Easily.But essential to life stuff is more like, a good connection with the Divine Force in the universe, true love, regular sex and passion in your life, music, loyal friends and family, making the world a better place and the thrill of victory celebrations after winning those small battles when fighting the good fight, things like that. You’re speaking more exogenous and I think we transcend that kind of thing after a while here.
Environ of choice: city or country? And where on the map? Definitely BOTH. Can’t have one without the other. For me personally I mean. In the States, New York is where it’s at. The City. And on the weekends you’re only an hour from upstate where it’s totally secluded and woodsy. Anywhere in the Hudson River Valley area like Woodstock… That’s paradise up there. It’s the best of both worlds. Or even further up like rural Vermont. The Colorado mountains. It’s beautiful out there too. But again, there’s no city like New York City. Just nothing close in the US. Where on the map if not in the United States, that’s easy. Italy. Hands down. Rome, Florence, or Venice. Live in the center of Florence as your primary home. The art and culture that surrounds you there is unparalleled on earth. And then you take the train into Rome when necessary for business and spend your weekends in Venice or on the beach just outside of Venice, or even down in Gaeta or Bari. That’s the life.
What do you want to say to the leader of your country if you could? Without fear of being arrested or worse? Stop threatening, invading, attacking and bombing other countries. Or else stop talking and acting like you’re different than any of the other evil bastards who have ruled nations before you. Talk is cheap. And so is charm. Ever heard of actors? (laughs) So if you’re really “the change guy”, then show us some change. Stop perpetrating the reputation of the United States as being the big bad bullies of the world and start leading through example. God knows we need it now more than ever.
Last but certainly not least, what are you working on now? HAHA! Where do you want to start? Promo’ing the latest single “Scene in San Francisco” is a full time job. The music video for that song is complete and looks amazing! I’ve got a few photo shoots coming up with a new stylist that are very cool and cutting edge. There are three different albums by either me solo or Ed Hale and the Transcendence that have already been recorded but still not released that we are working on getting out to the fans sometime soon along with the new Ex Norwegian album called House Music. That’s all very exciting. In the background of all that of course I am still in the studio almost daily recording three new albums, all very different from each other… that’s the most challenging aspect of the career, fitting everything in. Mixing the creative with the business. Wearing all the different hats. And you know, more than anything perhaps, I’m most excited about doing the tour this year and playing live with the guys. Can’t wait to get up on stage again.
The brand new digitally remixed and re-mastered radio version of the moody, melodic pop-rock anthem — which differs significantly from the track that appears on the album–will be released to iTunes on the same day (July 9) it hits radio nationwide. “New Orleans Dreams,” the first single from Ballad on Third Avenue, also hit the Adult Contemporary Top 40 climbing to #10.
Those who have followed Hales’ extraordinary career over the past decade know that he is not just about those soaring ballads. His band, long time indie-rock stalwarts Ed Hale and the Transcendence, are releasing yet another new album less than nine months after last year’s rock epic All Your Heroes Become Villains.
Songs from the oft rumored about and much anticipated bubblegum pop/indie garage rocker The Great Mistake have been making rounds on the internet for years, but it will finally see an official release by mid-summer. “This isn’t exactly a ‘made for commercial’ kind of thing,” Hale says, “it’s loose and raw. But it’s one of our all time favorites as a band and we figure if you can’t make the kind of music that gets you off, then why make music at all?”
Hale and his band will soon embark on a ten-city tour that will feature songs from both Hale’s solo albums and all the Transcendence albums. The shows will feature the entire crew of Transcendence alumni reunited and playing on stage together for the first time since 2008.
The tour kicks off with a homecoming show at the Gibson Showroom in Miami before heading to other Gibson Showrooms in nine major U.S. cities, including New York, Los Angeles, Austin, Seattle, Las Vegas and Nashville.
Ever the prolific musical over-achiever, Hale is also currently working on a new solo album due out in early fall. The project is being produced by Ex Norwegian frontman (and Transcendence bassist) Roger Houdaille and features contributions by all the usual members of Transcendence and honorary members of the band.
Hale is recording the as yet untitled collection at The Shire and Bear Creek Studios in Seattle, where many notable artists have worked over the years, including Fleet Foxes, Train, Soundgarden, Nirvana and The Foo Fighters. The singer is so far mum on the overall vibe of the album but is thus far telling fans it will be “more electric and upbeat glam-pop than the last one”—consistent with the Brit Pop influence of his recordings with the Transcendence.
Bear Creek Studios engineer Jake McCaffray recently commented, “Ed Hale’s bareboned and hyper creativity is thrilling. It’s an honor being a part of putting it to record.”
THE GIBSON GUITAR ENDORSED SINGER-SONGWRITER CONTINUES TO RIDE THE SUCCESS OF HIS BILLBOARD CHARTING SMASH HITS “SCENE IN SAN FRANCISCO” AND “NEW ORLEANS DREAMS”
NEW YORK, NY, May 08, 2012 (MARKETWIRE via COMTEX) — Ed Hale’s been a critically acclaimed force in modern rock for years as front man for the eclectic band, Ed Hale and the Transcendence. Since becoming an accidental Adult Contemporary star via his latest solo hit, the acoustic-driven “Scene in San Francisco,” the New York-based singer-songwriter’s career has been in overdrive.
Hale just signed a lucrative publishing deal with Fieldhouse Music/BMG, a company offering a new breed of music production which specializes in discovering and promoting new talent for film and TV soundtracks.
John Loeffler, President of Fieldhouse Music/BMG, commented, “Fieldhouse Music/BMG is very excited about the signing of Ed Hale. He has an extensive catalog of great material and is a true talent.”
In addition, the entire catalog of Ed Hale and his band The Transcendence — eight albums in all — have been picked up by TouchTunes Interactive Networks, which introduced the first digital jukebox 14 years ago and is now the leading in-venue entertainment network, streaming music through jukeboxes and piped-in digital feeds. TouchTunes reaches consumers in over 52,000 bars, restaurants and retail locations in North America.
“Scene in San Francisco,” which is Hale’s second single to break into both Billboard’s Adult Contemporary Top 30 Chart and the Top 15 on FMQB’s AC40 Chart — putting Hale in the company of pop superstars like Maroon 5, Adele, Kelly Clarkson and OneRepublic — has also been picked up by the Landmark Theatres chain for their In Theatre Music Program where the song will be played in more than 500 movie theaters around the U.S. in May.
Hale says he’s been “walking on clouds,” and enjoying the many perks of his most recent rise in popularity, including endorsement deals with Kurzweil Music Systems, Nord, Ultrasone, Gibson Guitars and Dean Markley Guitar Strings. “All these companies have been super cool, and the new gear will really help us with recording the new albums,” Hale stated. He is set to release at least two new albums in 2012.
Transcendence frontman Ed Hale’s latest single, “Scene in San Francisco” from his solo album Ballad On Third Avenue, continues its rise up the charts this week in the Adult Contemporary (AC) radio format, with over 1000 spins per week and several new stations adding the song to heavy rotation, including WDKB out of Dekalb, IL and KHMX in Santa Rosa, CA. The song has also been getting heavy airplay on Sirius XM channel The Blend, Clear Channel’s iHeart Radio, The TM Studios Weekly Hit Disc, and the National AC Premium Choice Channel.
The song is still holding strong at #26 on Billboard’s Adult Contemporary Top 40 Chart and #15 on the FMQB AC Chart among stiff competition — including Adele, Jason Mraz, Katy Perry and Coldplay — in one of the fiercest months in years in the format, one that many radio promoters are calling “a blood bath”. Hale’s “San Francisco” remains the #1 Most Active New AC Independent Song and Artist on the charts for the 12th consecutive week (as measured by BDS/R&R and Mediabase). Word is the official music video will be released on Monday April 9th, 2012.
NEW YORK, March 6, 2012 /PRNewswire/ – In a breakthrough moment for independent artists, “Transcendence” singer-songwriter Ed Hale achieves his first Billboard Top 40 hit with last week’s Hot Shot Debut, “Scene in San Francisco,” which is currently #25 and rising on the Adult Contemporary chart. The song is from his latest solo album, Ballad On Third Avenue (Dying Van Gogh Records).
Fifteen years and nine albums in as a recording artist, newcomer Ed Hale is no newcomer. Aside from his solo albums, he also sings in the eclectic indie rock band Ed Hale and the Transcendence, who debuted in 2002 with the album Rise and Shine, where Hale, nicknamed “The Ambassador,” sang in five different languages. As the band prepared a national tour to support their newest release entitled All Your Heroes Become Villains, Hale’s latest single started achieving major radio success in the AC format.
Hale noted, “Our solo albums were just side projects, so this is all pretty weird and unexpected.” Rising on both Billboard and the FMQB AC charts, “Scene in San Francisco” was picked up by Sirius XM satellite radio station “The Blend” and has been ranked the #1 Most Active Independent artist release on the Mediabase AC Chart four weeks straight.
Hale’s first single to go commercial from Ballad On Third Avenue, “New Orleans Dreams,” peaked at #10 in the Adult Contemporary format (FMQB) and is still in heavy rotation on the AC Top 100. With two Top 40 songs on commercial radio, the singer’s biggest struggle he says has been maintaining indie credibility and loyalty to his art. Breaking all the rules and saying no to selling out has become a badge of honor for many independent artists. Hale cites “relentless perseverance and never giving up” as the secret to his most recent overnight success, adding, “I wouldn’t exactly call it overnight success.” Regardless of his exact formula, “The Ambassador’s” Cinderella story is a major spark in the evolving indie-music revolution.
“Ed Hale’s Ballad On Third Avenue will feel right at home to the same crowd that loves the music of Wes Anderson movies,Rubber Soul-era Beatles, Bright Eyes, Simon and Garfunkel, or Nick Drake” – music-city.org
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In less than four weeks from its debut, Ed Hale’s latest single “Scene in San Francisco” blasted into the Adult Contemporary Top 40 this week landing at #33 (as measured by Mediabase) earning both #1 A/C New & Active Song of the Week (most active new songs on chart) and #1 Most Active New A/C Independent Artist (BDS/R&R/Mediabase). The song tied for the #4 spot on the Most Added Chart and picked up Sirius XM satellite radio station The Blend for rotation.
This is Hale’s third single from his latest solo album Ballad On Third Avenue. (Dying Van Gogh Records) The album’s second single, “New Orleans Dreams“, peaked at #10 and is still in heavy rotation on the AC Top 100. Hale is also enjoying widespread critical acclaim for the new Ed Hale and The Transcendence album All Your Heroes Become Villains, a heavier Brit-pop/modern rock-opera collage created with his long time bandmates in the group formally known as Transcendence.
”Scene in San Francisco” was written by Ed Hale and William Sommer. Produced and Engineered by Fernando Perdomo, Executive Produced by Roger Houdaille and Nahal Mishel-Ghashghai, mixed and remixed by Zach Ziskin. The song is being serviced to Adult Contemporary radio by MVP Entertainment and South Beach Marketing and Promotion, to Triple A radio by FMQB and Marathon Music, and to College Radio by The Syndicate.
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