Ed Hale Makes Magnet Magazine a Mixtape

Ed Hale takes a solemn note upon the release of his band’s latest All Your Heroes Become Villains

It’s tricky for a musician who started as young as Ed Hale to be seen as anything other than the 17-year-old “Eddie Darling.” But impressively, Hale has made a name for himself with his various outings over the years, the most recent being Ed Hale And The Transcendence, which just released All Your Heroes Become Villains (Dying Van Gogh). With this band, Hale has pioneered the idea of “planetary music”: a combination of modern-rock aesthetics and world-music sounds. In his own solo career, his output is still deeply personal, but it focuses more on the acoustic instead of his sonorous and genre-spanning songs with the Transcendence. Also an activist, writer and businessman, Hale is a man with many talents, all of which influence his inspired sound. Hale made this awesome mix tape below for MAGNET.

“Solaris” (download):
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Lou Reed “Street Hassle”
I placed this first because out of all the songs that have ever been recorded in modern pop/rock history, it still stands as one of the most unique and innovative of all time. I still listen to it and just don’t get how Lou managed to pull it off. Three separate parts all tied together, but not like a concept album or anything. To me as an artist, innovating is still really important. And that’s why I dig Lou so much. He’s always reaching for something new. Video

Laurie Anderson “O Superman”
First time I heard this song I was in college. I couldn’t understand what I was hearing. Running both her electric violin and voice through numerous harmonizers to create a sound that we had never heard before. But, that’s not enough. She wasn’t just innovating. This song also happens to be beautiful. We have to give her props for how far she’s pushed the envelope for us all. Video

Phoenix United
I know I’m cheating a little here because this is an album rather than just a song, but United is one of those records that’s like a “treasured little secret” among people who know it. They recorded this album back in 1999, long before the ’80s New Wave Revival got kicking here in the States. Because of that, Phoenix remained an unknown band for years because they were so far ahead of the curve. But for people who love super-catchy West Coast breezy pop, buy this albumVideo

The Strokes “Someday”
The Strokes released their now-classic Is This It album in 2001. I started turning on to the Strokes like everybody else, and they just grabbed me. Now I can’t imagine a world without them. This whole first album is filled with awesome songs. The distorted vocals, the melodic guitar lines, the bouncy pop rhythms, the fuck-it-all attitude. They’re just very appealing, and this song is one of my favorites on the album. Video

T.Rex “Spaceball Ricochet”
There are 100 songs that I could list that Marc Bolan wrote that are great. He nailed one of the sexiest male rock singer voices of all time, and nowhere did he do it better than on his two biggest selling albums, The Sliderand Electric Warrior. I discovered Bolan when I was a kid, but all of his work had a huge influence on me. He had already passed away, but then later on I learned that he was also a huge influence on David Bowie and Bono and a lot of other people, so it all makes sense in the big picture. Video

Fleet Foxes “Helplessness Blues”
This may seem the “politically correct” choice of the moment, because everyone in the world is currently talking about Fleet Foxes right now, but there’s a reason for that. Like every other song on this list, “Helplessness Blues” is one of those songs that from the very first moment that you hear it, you find yourself asking, “Who the hell is this?!” More than anything, that’s what we’re all aiming at as artists. They recorded this album less than a mile from my house in Washington state, and they deserve as much “ink” as they can get. Video

David Bowie “Sweet Thing/Candidate/Sweet Thing (Reprise)”
These three songs are all tied together on Bowie’s Diamond Dogs album. Bowie is a huge influence on me as an artist, and Diamond Dogs was Bowie’s best Ziggy album as far as I’m concerned. It was also his darkest. Anyone who likes anything from Bowie should buy this album. Diamond Dogswas full-on concept, from the artwork to the way all the songs were tied together lyrically and musically. Without that album, I don’t think we’d be doing this mix tape. There’d be no All Your Heroes Become VillainsVideo

Caetano Veloso And Gilberto Gil “Desde De Que Samba E Samba”
This is a very hip, laid-back bossa-nova song by Caetano and Gilberto. The reason I chose this one for you is because of the profound effect this song and this album had on me as a musician. I was living in Brazil for the summer, studying the language of Portuguese and learning how to play bossa-nova guitar. Brazilian people live through their music, and the samba is their life. It pulses through their veins. It’s not just “a dance” or a style of music. It’s a whole culture. If you dig the song, try to find someone to translate the lyrics for you. They are very moving and intelligent. Caetano is a God. Video

Bruce Springsteen “Backstreets”
I still remember sitting on the floor of my bedroom with this album in my hand, Born To Run, and listening to this particular song over and over again. I chose this song for you all because of its seething passion. The way he hits those high notes in the chorus. This song is so damn real and sincere and passionate and emotional. Bruce was just letting it all hang out emotionally in this tune; he killed it. In the process, he became “The Boss,” and I think it’s a well deserved title. Video

Bob Dylan “It’s Alright Ma I’m Only Bleeding”
How the hell do you choose just one Dylan song for a mix tape? Well, obviously, you’re gonna want to buy the whole Blood On The Tracks album. But where’s that one nugget of brilliance? It’s this one, man. Grab the lyrics, put the needle down and listen to it. The falling chords beneath the melody are deceptively simple and yet eerie as all hell. Foreboding. And then there are the lyrics. This idea that “he not busy being born is busy dying”—that’s Bob. He said that. That’s why he’s Bob Dylan. Video

Posted in Magnet Magazine

Singer-Songwriter Ed Hale Selling His Seattle Home

Singer-Songwriter Ed Hale Selling His Seattle Home

Ed Hale Live IPO Photos by Mandy DembachReprinted from Digital Journal August 25th, 2014
Billboard Top 40 Artist’s Home Offered Exclusively by The Villalobos Group at RE/MAX Eastside Brokers.
Woodinville, WA (PRWEB) August 26, 2014
Singer/songwriter Ed Hale may be best known for his Billboard Top 40 hits “Scene in San Francisco” and “New Orleans Dreams”, but he’s called Seattle, WA home, at least partially, for more than five years. The singer and his wife have been living bicoastally, splitting their time between their house in Woodinville, WA just outside of Seattle and their Upper West Side apartment in New York City. But they have decided to relocate to living full-time In Manhattan starting in the fall. So they are selling their Seattle based home. The 5 bedroom, 4 bath house is on the market for $1.1 million.
Hale says he has enjoyed “the peace and quiet of the country gentleman lifestyle” afforded by the couple’s large spacious home in the English Hill neighborhood of Woodinville, but with his new album, “Another Day in the Apocalypse”, coming out later this year (Dying Van Gogh Records with BMG distribution), he’s felt the pull of the more metropolitan buzz of New York, and believes it will be better suited to the media frenzy and day to day activities that accompany a new album release. Though the singer says he “absolutely loves the Seattle area… some of the nicest people in the country live there. And the nature… it’s just gorgeous. We will certainly miss it.” It’s ironic the singer and his Transcendence bandmates recorded the majority of his new album at his home recording studio in this Seattle home. The home features a fully functioning and sound-proofed professional recording studio as well as a movie theater multi-media viewing room with a ten foot viewing screen.
Situated just on the edge of a country lane lined with equestrian ranches, the house affords much-sought-after privacy a mere thirty minutes from the city of Seattle, along with plenty of green space and wildlife species. The property is a registered wildlife sanctuary with the National Wildlife Preservation Society. The couple purchased the 5,700-square-foot home in 2010. The 5-bed, 4-bath abode was built in 1996 and maintains a classic elegance with a bohemian artist’s charm that one would expect from Transcendence singer Ed Hale.
The three story house is the perfect large family home with a spacious chef’s kitchen, …. a basement floor retreat — where Hale kept his recording studio and a large spacious rec/game room that includes a pool table, ping pong and a large screen TV. This bottom floor also has a two story cedar wood deck outside featuring a hot tub and plenty of yard space. There is also a tranquil frolicking stream on the property — the same one that can be seen in Hale’s 2010 music video for the song “Hello My Dove”. If visitors examine the lush foliage of the home’s backyard carefully, they just might be able to find the singer’s and his wife’s initials carved into a tree or two.
For more information or to schedule a private showing please contact Jonathan Villalobos of The Villalobos Group at RE/MAX Eastside Brokers, Inc. Direct: 425-450-1654
For full article or to see more high-resolution photographs of the home, see the original article here.

Ed Hale On-air Radio Interview at 5pm Today – Tune In!

Ed Hale On-air Radio Interview at 5pm Today – Tune In!

indiestardust_film_bannerEd Hale will be giving an on-air radio interview with rock station Rockers Dive Radio at 2 pm EST today. Hale will be part of a guest panel discussing a new documentary film the singer/songwriter is featured in entitled INDIE STARDUST. Hale has also signed on as an Executive Producer on the film. INDIE STARDUST explores how the technology and indie revolutions have created a new entertainment business environment and what artists from all mediums are doing to survive and thrive in this new often confusing arena. More details about the film will be forthcoming as they become available. The radio show will also be spinning a few tracks from the latest Ed Hale and the Transcendence album The Great Mistake including the alt-rock radio smashes “Monday”, “Baby Bop” and the song heard round the country last week on Showtime’s hit TV show Shameless, “ManChildWoman”. Download the album on iTunes or Amazon.com if you haven’t already. And make sure to tune in to listen, call in and engage in this trending topic by simply going to the station’s website here: Rockers Dive Radio.

Ed Hale to Release New Book Revealed in Recent Interview

Ed Hale to Release New Book Revealed in Recent Interview

Ed Hale to Release New Book Revealed in Recent Interview

“Scene in San Francisco” singer-songwriter-recording artist Ed Hale revealed in an interview earlier this month that he was releasing a new book this year entitled Bouncing Back When Flat. The interview will surely please fans who have been patiently waiting for the release of the follow-up to his wildly successful last solo album Ballad On Third Avenue; it is one of the most personal and in-depth interviews the singer-author-activist has ever given in his 15+ year career. In it he discusses a wide range of topics from his peace work and human rights activism, to the sound of his long-awaited new solo album, to his recent return to Billboard Top 40 status. He also dives deep into a variety of personal subjects that are usually reserved only for his popular blog The Transcendence Diaries. The interview reveals that Hale’s new book chronicles a very specific time in the singer’s life — one that he feels is important to share and may be an inspiration for many: the betrayal and business setback that left him broke, discouraged and homeless just a few short years ago and how he managed to recover from it, overcome the obstacles and rise back up to a whole new level of success and happiness. “This isn’t a subject I have felt comfortable talking about at all since it happened,” Hale says in the interview. “It’s still difficult to think about. But I understand why it’s important. If I can survive and bounce back from that, then anyone can do anything. I get that. That’s why I decided to write the book.” More news will be updated as it is released. In the meantime, we have reprinted the interview for fans in its entirety here with permission from the author. Originally published on February 1st, 2014 here: http://www.flyfreeavatar.com/2014/02/bouncing-back-flat-interview-with-ed-hale/
FlyFreeAvatar.com recently had the opportunity to get recording artist Ed Hale to sit down for an in-depth interview. This is a project we have spoken about doing for several years, and the New Year seemed like the perfect time to finally complete it. Hale has been in the public eye for most of his life, having released his first album at the age of 17. He is best known as a singer-songwriter and recording artist — as the lead singer of the musical group Ed Hale and the Transcendence, scoring numerous Top 40 hits over the last fifteen years — including classics like “Superhero Girl”, “Scene in San Francisco” and “New Orleans Dreams”. He is also well-known as a successful entrepreneur and businessman, a prolific writer, and an outspoken social and political activist and human rights advocate. He has a reputation for being open and outspoken about his personal life, especially in his popular long-running blog The Transcendence Diaries, which is celebrating its twelfth year online this year. He is refreshingly candid about sharing his spiritual views as well – a rare quality in the entertainment world. Being actively involved in community building and Civilian Diplomacy work with organizations like Habitat for Humanity and Fellowship of Reconciliation (FOR), Hale has traveled the world extensively for diplomatic, peace and work trips and speaks six languages. Most applicable to this site, Hale has taken all of the Avatar Courses numerous times over the last 15 years and continues to do so on a regular basis.
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FlyFreeAvatar (FFA): When I first thought about talking to you for this interview, there were two questions that came to mind immediately. The first was about how your music has been affected by taking the Avatar courses. And the second was about all the success you’ve had over the years and how much of a role you think Avatar has played in it.
Ed Hale (EH): Yep. I can see that. Those are the two questions I get asked the most when it comes to Avatar. But that’s TWO questions you know. [laughs]
FFA: Okay so let’s start with your career success. With the band’s last album’s success and the hit singles you had from your solo album, “Scene in San Francisco” and “New Orleans Dreams” climbing the Billboard Top40 Charts, why don’t we start there? With your career success. How much of a role do you think Avatar has played in that?
EH: Well I had achieved success in music at an early age. Long before I took the Avatar Course for the first time. So I don’t want to mislead anyone on that count. But it was short lived. I mean, I was signed, released an album, had a few hits and was touring before I finished high school. And then it was all over before I graduated college! [laughs] But this latest success? I think we could safely say that I wouldn’t be here today if it weren’t for everything I learned in Avatar; let alone be in Billboard magazine.
FFA: Your early career, that was when you were known as Eddie Darling…
EH: Yes. That’s the embarrassing truth. But you know, when we’re young… we don’t know. We think we know… but we don’t. At the time I guess I thought that was a cool sounding name. But that was such a crazy experience to go through at such a young age. None of it was on my terms. It was all up to other people. Just a very large greedy money-making machine. If they like what you’re doing, you’re in. If they don’t like what you’re doing, you’re out. No compassion, no sense of artistic integrity or guidance. It was really disheartening for me as a young artist. I thought that was going to be the start of this amazing career, but it didn’t last very long. A few years in the big leagues and it was over and I was back in the local club scene.
FFA: But you obviously didn’t give up on music, which has been a hallmark of your career, this persistence. What led you to keep going?
EH: Well I did give up for a while there. I went back to college and got really into that. But it didn’t last long. I just couldn’t stay away from making music. I don’t know if I’ll ever feel comfortable NOT making music. It’s just the one thing in life I enjoy doing more than anything else. Except being married of course! [laughs] The difference was, when I went back into music then, that it was going to be on MY terms. I didn’t feel like I had any control in it my first run-through. So that was one of the many reasons why I took the Avatar Course. I wanted to harness more deliberateness in my life. Not sure if that’s a word… But I really liked the idea of “living deliberately”. [Living Deliberately is the name of the first book by Harry Palmer. Palmer is the author and creator of the Avatar Course and has published many books on the subject.]
FFA: You were young when you took Avatar for the first time.
EH: Yes, I was 21 or 22 years old. Back then that was considered “young”. Now there are kids eight and nine years old taking the courses. It’s incredible. I used to feel like “the kid” around those courses. Now I feel old compared to these kids. [laughs]
FFA: Yes. It’s amazing. But still, 22 is still pretty young to take Avatar. Especially back then when the course was fairly new and unknown. What prompted you to take it?
EH: Well it’s like what I was saying, about the last album, and really all of them over the last ten years… I took Avatar initially because I wanted to feel more in control of my life. I wanted to feel like I was creating my experiences. I could FEEL that what it was about totally vibrated with what I believed personally. I mean, the whole “we create our experiences based on our beliefs” premise… I believed that already. Or at least wanted to. But how do we control our beliefs? That’s what puzzled me and interested me the most. And I learned how to do that on that first Avatar Course; and in the future ones that I took like Masters and Wizards. It gave me the ability to create my beliefs deliberately. So instead of feeling caught up in a large out of control system like the music business, I created feeling in control and confident. And every album since has done better than the last. It’s really been a very positive force in my career. For sure. There’s no arguing about that.
FFA: So do you use the tools regularly?
EH: Yes. Absolutely. I try to live through them… By using them all the time… Like in every moment. After a while, it transcends “using the tools” and just becomes… a way of life, a habit, how you live.
FFA: Have you used the tools specifically about your career? In other words is there a direct correlation between the success you’ve had and using the Avatar tools?
EH: Yes. Absolutely. In terms of using them specifically around my career, I learned from some of the more experienced Avatars out there – and I’m not sure if this is “a thing” or not… But I learned that they might go to a course and dedicate that whole course to just one aspect of their lives, like say their career, or money. Other things come up of course, because it’s all connected, all the different aspects of our lives… but I went to a Pro Course [The Avatar Professional Masters Course] and decided to dedicate the whole course to my career. And it was a truly amazing experience. Doing it that way.
FFA: In what way?
EH: Just the discipline you have to have in order to do that, to stay focused on one thing; controlling your will to be able to do it. And then the variety of tools available to you to explore that one aspect of your life. They offer you so many different perspectives you’ve never thought of before. And the course keeps you on track to really get to the bottom of things. In whatever you’re focusing on. In that case, tackling your beliefs about one specific subject, like your career, from the variety of different angles that are provided to you by using all those different tools. We released the Rise and Shine album a few months later and that album took off bigger and faster than we ever expected. It opened the door for us. Before that, we were a new and relatively unknown band. After that album, we became a national act. The songs were charting in cities all over the country. That was when I first started learning about where all these cities were that we hear about all the time around the country. From the radio station play charts. [laughs] I can’t help believe that part of what helped all that to happen was because I had dedicated that course a few months earlier to focusing just on my career. It was so effortless.
FFA: Have you done that with other areas of your life? Is it something you always do?
EH: No it is not something I always do. But I have done it with other things. But not usually. I did it regarding relationships one year and that was also very successful. I found my soul-mate because of doing that I believe. I cleaned up all the beliefs I had about love and romance and relationships… But usually I just take the courses and allow whatever comes up to come up. And you know, what I notice is that if your attention is on your career, then that’s what’s going to come up for you anyway. So it’s not really necessary. It all tends to work out perfectly if you don’t fight it and you just let it flow. Ultimately it’s your consciousness, no one else’s. You just have to decide if you want to be a victim of it or the master and leader of it.
FFA: That’s well put. So how do the courses affect your music? As an artist?
EH: Well I get that question a lot. And the answer is I honestly don’t know. I know that the answer is supposed to be really incredible and mystical or magical in some way… There’s this expectation there it seems… But honestly, in terms of music, I’ve been writing and playing music since I was a kid, since before I could walk. So if I were to be totally honest, I don’t know what affect it’s had. Freedom maybe?
FFA: That’s fair. Freedom in what way?
EH: Well… I can tell you this. When I first took the Avatar Course and then the Masters Courses, I felt OUT OF THIS WORLD. I had never felt so good in my life. Just like… I don’t know, flying is how I would put it. High as a kite, but without drugs. High on life. [Hale is very animated as he speaks. His eyes are wide and he uses a lot of hand gestures.] I felt SO confident and SO fresh and new and GOOD inside. I KNOW that came through in the music I was writing back then. It gave me a feeling of invincibility and that definitely translated to me having a new-found confidence as a musician and as a writer… to write whatever I wanted to and forget about any of the so-called “rules of the business”. You know? So in that sense, the courses did affect my music tremendously.
FFA: Some of your songs are very spiritual. You tend to write more specifically about spiritual matters than other mainstream rock or pop singers…
EH: So now I’m mainstream? That’s a first!
FFA: You know what I mean, singers in the public eye… most of them don’t write about spirituality as much as you do. Even the ideas of Avatar and Abraham Hicks are referenced. I also couldn’t help notice that you credit Harry Palmer on some of the songs.
EH: Well yeah, [laughs] you get so excited after you first learn all that knowledge. It’s a big WOW moment. Like discovering chocolate or sex for the first time or something. [laughs] But bigger. Just the knowledge is mind-blowing, right? So it’s a given that you’re going to want to share that with people. Just not go overboard with it… hopefully. But if you use the tools on a regular basis, if you practice BEING an Avatar… then you feel like you’re walking on clouds most of the time. Those ideals and principles are embedded in you. Simple things. But profound. So they tend to come out in the lyrics. If I write a lyric that sounds really close to something I’ve read then yeah I’ll give credit to wherever I think credit is due. When I was younger I was writing a lot of songs about spirituality and transcendence and stuff like that and it really did feel like I was channeling the ideas of Avatar through music at times. So I would credit whoever was the inspiration. That doesn’t make our publisher very happy [laughs] because it creates a lot more paper work. But it’s the right thing to do. Harry Palmer’s ideas have been a huge influence on me and how I think… ever since I was a kid.
FFA: Does he know that he’s written songs with you?
EH: I don’t know. [laughs] That’s a weird way to put it. But I’ve never kept it a secret. We’ve never talked about it. I always wonder if he gets these checks in the mail and then wonders where they’re coming from. [laughs]
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FFA: You’ve also had tremendous success in business, as an entrepreneur.
EH: I’ve tried. [laughs]
FFA: Well you have. That’s an aspect of your career that isn’t talked about as much. You were a successful entrepreneur before you were 30, irrespective of your career in music. And that seems to be a running thread throughout your life, starting businesses and being in business, since you were very young. [Hale started his first company at the age of 20 when he opened up a rehearsal and recording studio. Since then he’s owned health food stores, juice bars, a vitamin manufacturing company, a business consulting company, a record label and a real estate investment company.]
EH: Yeah, for sure. That’s another one of those things that I just absolutely LOVE. Business. Being in business. LOVE it.
FFA: You say that about a lot of things!
EH: Maybe I do… [laughs] I don’t know. I guess I just love a lot of stuff. Hey that’s the Ambassador!
FFA: So what is it about business that you love?
EH: Well I was raised in that kind of an environment, number one. I grew up with my parents owning businesses. So I think that was instrumental in it. And I have just always enjoyed being in business for myself more than working for other people. Though I don’t necessarily believe that it’s easier. I actually think working for other people – especially for a large company – is the easier path to take, for sure. But for someone like me… I just could never imagine doing that full time and long term. Plus, there’s also a real rush you get out of the risky and adventurous aspect of being in business for yourself. Unlimited reward but unlimited risk as well. I get off on that.
FFA: But how do you keep up with it? And how does Avatar affect it?
EH: You know that’s two questions, right? [laughs] I’ve always been fascinated by being in business for yourself. Since I was a kid I always admired those kind of people. Tony Robbins has been as big an influence on me as say, someone like John Lennon. Almost equal. And I also found that I was good at it, or at least lucky in it. So I keep up with it as best as I can. Probably not as well as I could honestly. The Avatar thing, that’s a different story. It helps obviously. I know that. That’s the thing… Avatar helps you with everything. It’s not just one aspect of your life. It’s your whole life that is affected.
FFA: You’ve talked about Harry Palmer and Tony Robbins a lot throughout your career in interviews. They seem to come up quite a bit.
EH: [laughs] Yeah I guess I do. But hey if you’re going to have mentors, they might as well be great ones. And for my money those are two of the brightest minds in the world today when it comes to personal achievement. Even though they’re very different. Stephen Bauman too. He’s more of a spiritual intellectual who keeps your integrity on its toes. But really all of them do that. [Stephen Bauman is an author, speaker and Methodist Pastor in New York City]
FFA: I know your love for Tony Robbins and Stephen Bauman. But in relation to this website and its readers, how does Avatar help with your success in business?
EH: Well to me I think the answer to that question is obvious, but for someone who’s never taken any of the Avatar Courses before…. okay, we can go there… Say you’re experiencing the same challenge over and over again in your business. Everything seems to be going well except this one thing… Or perhaps LOTS of things… You can keep banging your head against the wall over it… Hire new people, recruit consultants, read more books, take more classes, etc. etc. OR you can take a look at the beliefs underneath this problem and once you discover them, you can then DIScreate them. That’s a term that Harry Palmer came up with in the Avatar Course. It’s brilliant. And voila! They’re gone. That challenge will no longer be there. THAT’S how it can help. It’s miraculous. If people have ever seen that movie The Secret… it’s like that. But it’s real.
FFA: You make it sound so easy.
EH: Well in a way, it is. Not all the time. But it isn’t rocket science. It’s a very natural thing. It’s an organic process, just like breathing oxygen. We just have to re-remember it… Discreating limiting beliefs helps us remove obstacles in our life that up to that point seem insurmountable to us. I can honestly say I would not have experienced the level of business success I have had in my life, especially as young as I was, without having that knowledge and those tools. To me it’s a no-brainer. The same with religious faith. Both help.
FFA: Speaking of obstacles, you’ve had your share and always seem to bounce back, which has been an inspiration to many people. What’s the secret? Or does that give away the plot to your new book? [Hale has a new business/inspirational book coming out this year entitled Bouncing Back When Flat]
EH: Besides what I just said? [laughs] I mean that kind of sums it up, right?
FAA: I was hoping we could go a little deeper.
EH: Okay well which ones? There’ve been a lot of them. [laughs] It hasn’t been as easy as people seem to think it has. It never is. Not for any of us.
FFA: A few years ago you experienced a major business setback that left you broke and even homeless for a while, which is what your new book is about. I’ve read some of the interviews about that experience and it’s shocking. But you turned it around. What I’m trying to come to is how you did it… [In 2006 Hale discovered that his business partner, Naomi Whittel (nee Balcombe), now at Reserveage Organics, had sold one of the companies he had founded, Ageless Foundation Laboratories, without his knowledge to a publicly traded company. Hale didn’t even know his company had been sold — finding out only through the SEC filing, and Naturade Inc., the company who purchased Hale’s company, didn’t even know Hale was an owner of the company until months later. The story has been written about extensively, but Hale has been relatively quiet about it until a few interviews last year.]
EH: Yeah, that… [This is the first time in the interview Hale becomes quiet, anything but animated.] That’s still a tough thing for me to talk about. But I understand that it’s important and why you think it’s relevant. I’m still coming to terms with it all.
FFA: Well that’s why you wrote this book, right?
EH: Yes. Absolutely. It’s an important story. I know that.
FFA: Not many people can imagine living through that kind of a setback, let alone bouncing back from it. But you did. Rather quickly some would say. And you have had tremendous success since then. More-so even.
EH: Yes, I know. And I’m very grateful for that. Hence the book. If I can do that, then anyone can do anything. That’s how I look at it.
FFA: I read an interview you gave last year where you did talk about it and it was inspiring. I only ask because the story does have a happy ending. You didn’t let it take you down, but instead you found a way to work your way back to the top. That’s an incredible achievement.
EH: Yes, it did take me down. I mean, how could it not have? One day I was going about my business and living my life, not a worry in the world, and then in one fell swoop everything I had in the world was gone. Bank accounts, credit cards, my company, retirement savings. Everything. Gone. It was the single most challenging thing I’ve ever lived through. For sure. But you’re right, I didn’t let it keep me down forever. I started from scratch and rebuilt. And slowly I was able to rise back up.
FFA: Without giving too much of the book away, how were you able to do that?
EH: Well for one thing, my faith is very strong. We’ve talked about that. I’ve never hidden that. I try not to be preachy, but I also think it’s bullshit, pardon my French, when entertainers keep their faith in the closet because they’re worried about how it’s going to affect their career.
FFA: You’ve certainly never done that.
EH: No, I haven’t. I talk about it when it’s appropriate. It’s important to me and I believe it’s important to a lot of my friends and fans.
FFA: You write a lot about religion and faith in your blog and sometimes sound almost anti-religious, almost like an atheist, which I know you’re not. And yet at the same time you write a lot about being a Christian and how challenging it is. Can you explain that a little?
EH: Well I’m definitely not one of those “100% sold” kind of people. I think anyone who’s really honest about their religious faith is going to be confused about it… and struggle occasionally. Because there are just so many contradictions in religion and spirituality… The difference with me I guess is that I haven’t necessarily chosen a side yet… I’m still open to all of them…. dissecting it all. And I explore all that a lot publicly in the Diaries. [Hale is referring to his long-running blog The Transcendence Diaries].
FFA: I know a lot of people find that inspiring. But you also anger certain groups of people with this “openness”.
EH: I know. And I don’t mean to. What I’m really doing is what I believe we should all be doing if we’re serious about spirituality and faith… questioning, studying, exploring. I’m not trying to make anybody mad or even question what they believe. To me it’s fun. It’s academic. But it also meaning beyond that.
FFA: I think most people recognize that. So your faith is one of the things that brought you through that business challenge?
EH: Without a doubt. A lot of reflection and prayer. And a lot of counseling with mentors. Seeking advice from older people that I looked up to. Also I had a really strong community around me. Family and friends who were there for me. That’s a tremendous asset. Something that you can’t buy. If it weren’t for that, I don’t know if I’d be here today. Because when that kind of thing happens to you, you really start questioning your life. All your effort and hard work and even your beliefs, things that you’ve taken for granted your whole life all of a sudden… you start questioning.
FFA: Like what?
EH: Well like… just everything. For example, you assume that if you work hard and you’re a good person that you’re going to succeed. That’s what I’d ALWAYS believed. My whole life. And I experienced that. Over and over again throughout my life that’s what I experienced. And then when this happened, it was so shocking, that it was hard to put those pieces back together, of that belief. It didn’t ring true to me anymore. Being a good person did NOT equal being successful. I started wondering if maybe that was just bs and perhaps we were supposed to be bad people and that was how to succeed. That was my first gut reaction of course. It took me some time to overcome that idea…. because bad people seem to succeed just as much as good people.
FFA: It’s easy to see how you could come to that.
EH: Right? But here’s the thing. I was wrong. We’re not “good” people because we want to succeed. We’re good people because we believe that’s the best way to live life. You know? My friends and family would call me every day, I mean every day, just to see how I was doing and check in on me. That was a big help. And we would talk about it and little by little they got through to me. I remember this one time I was driving around Manhattan with a friend, Big Mac, I LOVE this guy. He’s super funny, a southern guy. And he had just finished seminary at Princeton… So he is a spiritual guy too…
FFA: You write about him in your Diaries. I know the name.
EH: Yep. I write about EVERYBODY in the Diaries. Much to their displeasure! [laughs]
FFA: I definitely want to talk about that later, because I have a lot of questions about your blog and the reaction you’ve gotten through the years, but I don’t want to interrupt your train of thought. So go on with the story.
EH: Okay… So I was telling Big Mac how I was trying to make sense of God’s plan for my life with making this horrible thing happen to me. With Naomi and the business. That perhaps God was trying to show me a different path to take, rather than all this success and being a business tycoon that maybe God wanted me to be more focused on making the world a better place. And Big Mac, he just looked over at me and said “Bro I could never believe in a God like that.” I’ll never forget it. That was just one of those moments in life you never forget. I was like “What do you mean?” And he said “Ed, God doesn’t make bad things happen to people. God is grace. And love. Who did this to you? This Naomi chick did this to you.” The way he enunciated her name in his southern drawl… I can still remember it… He said “People did this to you man. God didn’t. God is the one helping you. Not hurting you.” I turned around in my seat and I began to cry. Right there in his truck. Because that was exactly what I needed to hear in that moment. I had been so puzzled by it. I couldn’t figure out WHY it happened… I was still trying to make sense of it. But he made me realize in that moment that it didn’t have anything to do with God or God’s plan… it was people. If anything, God is there to help us, not hurt us. At least in his view.
FFA: And is that your viewpoint now?
EH: Yes. Absolutely. That really resonated with me. When he said it. And looking back, still, it totally changed my whole point of view. That’s what I mean by my beliefs were being challenged. I was actually so fooled for a while there that I thought maybe that “God” wanted me to suffer in that way… It’s crazy. But luckily, if anything it made me stronger. And more importantly it offered me a reference point for how to view life when bad things happen to us. That it’s not about blaming God, every time something good or bad happens to us. People were the cause of it. And more importantly so was I.
FFA: How so? How were you the cause of it?
EH: Well that’s the part where I think I got the most out of the experience. Where if there is anything positive to take away from it, I got it. The first thing I did, because I had taken Avatar, was I started looking at my own past actions to see what was there, what had I done, in my life… I started reflecting on my own responsibility in the whole thing, instead of blaming anyone – and trust me it was easy to blame people… it was a horrible thing they did, they broke the law in a hundred different ways, and worse… broke my heart by taking advantage of our friendship… I HATE stuff like that… people like that. But I knew I needed to look for where and how I was responsible… So on the one hand, I saw how we have to be real when it comes to people doing harmful things to us; it happens. We can’t live in a bubble and pretend that there aren’t bad people out there. Because there are. But I also saw that I had some responsibility in it too.
FFA: That’s admirable, but in what ways were you responsible?
EH: Well I can’t act like I did anything overtly wrong to cause it… Sometimes people can make the mistake of over-owning things I think. It’s not like I was acting unethically or broke the law or something… I was a good guy. Same as I am now. But I had been warned that that kind of thing might happen before it did… at least a hundred times before to be honest. It wasn’t like it came out of the blue. I had been in business with Naomi for years. And that was the main thing we argued about, was her always wanting to break the law and me always saying that we most certainly should NOT. And our employees would always be stuck in the middle, between our two viewpoints. She constantly accused me of being “self-righteous” and I just wanted us to play it straight. So I had definitely been warned already. But what had I done about it? Nothing. Sure we had stacks of legal agreements between us that prohibited us from doing those kinds of things… But based on what I’d already experienced with her in the past, I should have known better. I should have taken more action BEFORE all that happened. And I didn’t. Why? Because I was being lazy, yes… or because I was resisting conflict. For sure. I didn’t like conflict of any kind. I love people and I love harmony and I’m all about love and peace, you know? So I just pretended like everything was fine when I knew it really wasn’t. I could feel it…
FFA: You were in denial… of your intuition?
EH: Yes, absolutely. Living in denial. Pretending. I helped to create the whole thing through knowing about the potential for something like that to happen and NOT doing anything about it. NOT acting when you know you should can be just as bad as TAKING an action that’s harmful.
FFA: So you took responsibility for the experience? Did that make it easier to deal with?
EH: Yes, absolutely. It gave me a sense of relief. It enabled me to feel the remorse for my non-actions that might have contributed to it, and other things, and then to move on. What it does is help you feel responsible for it rather than like a victim of it.
FFA: That’s a great example of using what you learn in Avatar in the real world.
EH: Yes. Totally. I think so. That one experience compelled me to fill three whole notebooks with actions from my past that I felt weren’t necessarily aligned with being a good person and to make amends for them. In order to get a fresh start. It led to a lot of self-reflection and taking responsibility for my past. I became a better person through doing all that.
FFA: When you’ve written about the experience that’s what you mean by it also being a positive experience…
EH: Yes. Let’s face it. No one wants to go through something like that. To have everything you own taken from you by other people. That’s a bad thing. The betrayal aspect of it alone is enough to make you feel so discouraged and ungrounded… so unsure of yourself and the world. When someone lies to you so overtly and is doing it from a place of friendship, it can really screw with your mind. But you have to find a way to turn it around and see the positive side of it. And for me the best way to do that was to start looking at me instead of at the others. And to start planning how I could improve who I was as a person… Once again I saw firsthand how our actions in the world can affect others, either in a positive or in a negative way. That’s the least we can do. Take stock of our actions and make sure we are having a positive impact. So that’s what I did.
FFA: That is inspiring. And within a few years you had overcome it and were back on top again with three hit albums, songs on the Billboard charts, and your now infamous trip to Iran… Do you think there’s any correlation between what you went through and the success you’ve had?
EH: No. I don’t. Maybe, I don’t know. I know it inspired me. But only through necessity. Before that happened I was really enjoying life. Taking advantage of how hard I had worked and how successful I had become. After that, I was forced to go back to square one and start over again and rebuild my entire life and career from scratch. It really inspired me to become successful again. I was determined to. So in that respect yes there was a correlation. But I’ll tell you this: no one should ever believe for a minute that they need to endure some kind of tragedy or suffering in order to succeed. That would be a very impeding and unnecessary belief to cultivate.
FFA: That’s a good point to make.
EH: Well if you go and read a lot of the articles that were written when our first album after that experience came out and became successful there is a lot of attention paid to the whole rags to riches aspect of it, “from homeless to Billboard!” became a headline. As if there was a romantic aspect to it. And I can promise you that there is nothing romantic about going through something like that. If you can avoid it, do so.
FFA: Well the story is an appealing and inspiring one, from an entertainment or person of interest point of view. You can see that…
EH: Yeah, I can. Totally. Which is one of the reasons why I wrote a book about it. I mean, I get it. How often does something like that happen to a person? Not very often. It’s more like a movie than real life.
III
FFA: There is another aspect about that experience that I wanted to have you talk about if you don’t mind, because I think it’s important. Ultimately you decided to settle the whole thing with your partner out of court. Yet the case still remains unresolved years later. Why did you decide to do that? And do you regret it now? [Naomi Whittel signed a settlement agreement to pay Hale for the sale of the company in order to render it a legal transaction months after the sale and prevent the case from going to court, but the agreement has never been fulfilled.]
EH: Well that’s more than just one question….
FFA: Okay. Why did you agree to settle out of court? Why didn’t you just go about it in a more traditional business manner?
EH: You mean by taking legal action?
FFA: Yes. Laws were clearly broken. Contracts were breached. It seems like an open and shut case.
EH: Right, I know. And it was. I get this question a lot, especially from other business people. There was a ton of criminal activity revealed. Fraud, forgery, tax fraud, embezzlement, a lot of lying and stealing… You know. Crazy stuff. It was something right out of a movie. Totally unreal and way outside anything I’d ever dealt with before. It’s insane when you think about it. This was a situation where yes, I probably could have played tougher… But for one thing, there’s a good chance that Naomi would have gone to jail if I would have gone public with it by taking it to court. And I was still operating under the misconception that Naomi and I were friends. We had been engaged to be married after all for years. So I still cared about her as a person. Secondly, she literally called me every day for years from the moment I found out what she had done…. Begging me to settle. Even though it may seem in retrospect like such an open and shut case now, at the time, I was still receiving these calls from her every day begging me to settle and not go to court. I felt very pulled. Between my loyalty to her as a person, and to her family… And to doing the right thing perhaps…
FFA: So now you think that taking it to court would have been the right thing?
EH: Well it would have been the more normal action to take under those circumstances…. But also I felt that there had already been enough legal action in our lives. I mean, she had created such a huge mess of legal actions for us already. It was all lawyers and law firms galore… for years. No one was winning except the law firms as they say. But because I had made peace within myself about it, and she was pushing hard for an out of court settlement, I looked at both outcomes… Part of me really wanted to “get justice”. Because in business that’s what you do. If someone commits a criminal act, they deserve to get what they get, right? Justice, to the full extent of the law. I got that. But at what cost to me and my own sanity? And at what cost to my family and friends? They’d already been through the ringer because of what happened. I reflected on it and prayed about it a lot… And it just seemed like settling it was the right thing to do. To put it behind us as quickly and smoothly as possible.
FFA: Plus you assumed that once you settled that it would really be over and behind you as you say.
EH: Yes, I did. Totally. I thought that would be the end of it. The end of “the Naomi saga” once and for all. It happened. It was bad. But the ball was in my court. I could sue and drag it out in court for years, or I could forgive and settle and move on with my life.
FFA: But it didn’t end there. After all that, the settlement agreement remains unfulfilled. Which is what led to the major setback you experienced. So do you regret that decision now?
EH: Yes and no. Yes, because I wish it were over. I regret what I had to go through. And I am sublimely shocked that we’re still talking about it years later. I don’t honestly know how she can deal with it still being out there open and unresolved. But no, because in that moment I feel like I made the most responsible and mature decision that could have been made at that time. Trust me, forgiveness in those kinds of situations is difficult… but it’s the HIGH road. Being vindictive or seeking vengeance, that may be the more common road, but it’s not the high road.
FFA: Yes, as an Avatar I completely understand you choosing forgiveness over revenge. Even though in the end it was a costly decision…
EH: Yes, it was. So far at least. But I’m still giving her the benefit of the doubt. That’s the part that a lot of people don’t understand. At first she swore up and down that she had nothing to do with it, that she was “forced into it by her husband and this pack of evil attorneys” they had hired. I didn’t necessarily believe her… But you know, when you’re close to someone like that… It’s hard to cut the line completely that connects you. There is still love there. And compassion. You want to give them the benefit of the doubt.
FFA: But it sounds like a very one-sided kind of compassion.
EH: Maybe it is… That’s something I wonder about sometimes. Long story short, she swore up and down that she had every intention of fulfilling the agreement, and more than anything she was just afraid. At the time I felt like I was doing the right thing, by being compassionate and forgiving, because that’s what WE do, right? And protecting her…
FFA: Yes, I agree. That’s what we do. But this brings up the question of when is it better to look out for yourself by taking a more Guardian Heart approach? [Guardian Heart is a concept explored in the book Resurfacing by Harry Palmer.]
EH: I know… There’s a fine line between being a nice person or a good person and letting someone take advantage of you… They are two different things. And sometimes we confuse them. Maybe I’ve crossed that line now… I hope not. But I can tell you now, after going through all of that, I understand the importance of the Guardian Heart a lot more now, of not confusing being a nice person with being someone who allows others to take advantage of them. That IS something that we tend to get confused sometimes as humans. I also see the importance of standing up for what we believe in or just being committed to protecting ourselves and our loved ones. I know what you’re getting at. And I am in no way attempting to promote forgiveness as being equal to letting people take advantage of us.
FFA: There is a certain responsibility we have to ourselves and to others in defending integrity and justice for the good of everyone…
EH: Yeah, absolutely. And that’s one of the reasons why I decided to write the book about what happened. It’s not just about the inspiration factor. But more about the responsibility to others. Not just to inspire other people who might be going through a similar challenge, but also to warn people that this kind of thing can happen to the best of us. No matter how nice we are or how good of people we are. No one is immune to it. You have to look out for yourself, no matter how nice of a person you are. But it is how we deal with it that is the true measure of a person.
I remember Tony Robbins telling a story once about how he went through a similar experience in his business life. His CFO was also his best friend and he discovered that this guy had been embezzling a ton of money from their company and it just shattered him; challenged his optimistic outlook for a while. When he told that story, I couldn’t relate to it at all. I was too young. I had never gone through anything like that. But when almost the same exact thing happened to ME… THEN I could relate to it. And knowing ahead of time that he lived through it really helped me. His story and his struggle with that inspired me. And I’m sure there are a lot of people who would be surprised that something like this even happened to me, because I’ve never really talked about it openly before. But I get it now. That responsibility to share it so other people can learn from it. That’s important.
FFA: I believe it is too. Not to spoil the finale of your book, but can you share at least a little about how you were able to rebuild from something like that? Tangible things, actions that you took.
EH: Yes, absolutely. If you can imagine waking up one day and being absolutely flat broke after years of working and having made a ton of money… Going from wealthy to broke overnight. That money still exists, but you just can’t get to it. Someone else now has control of it. You can’t even afford your next meal because your bank accounts have been taken over. Horrible right?
FFA: I find it hard to imagine. I think most people would.
EH: Well me too… Until it happened. After it happened, I wasn’t just broke; I was also extremely disheartened. It was hard to believe in humanity at all. But I didn’t want to become a jaded person. Or cynical. Or believe the worst in people. So I used the Avatar tools to let all those potentially negative beliefs go. I discreated them. And I deliberately created being who I really believed I was: a generally positive and optimistic person who believed in myself and others. I took every guitar I had and walked each one to a different friend’s house and left it there and said “I’ve been hit in a bad way. You know this. I need money for an attorney and money to eat. Here’s a guitar. This is what it’s worth. If you’re willing to help, I’ll leave it here till I can pay you back.” And you know, every friend I had was more than willing to help me out. It makes me emotional still. Because it really showed me how powerful friendships are. I had guitars all over the city in different people’s homes as collateral. And honestly half of my friends didn’t even care about collateral. That was just for me. To make me feel more comfortable in receiving help…
FFA: That’s exactly the kind of thing I was hoping you would share. These tangible actions that you took. I think people will find them very inspiring and informative.
EH: Well yeah, obviously in that kind of situation you have to find a way to get on your feet. Just to be able to eat. The part that hurt the worst is that Naomi and I were connected at the hip for ten years before that. We were engaged to be married for God’s sake. AND business partners for years after that. So she knew that once she did that that I would literally not have a cent to my name, nor even a way to eat. It was astounding to me that someone could do that. But once it happens you have to move on and find a way out of it. So that’s the first thing I did. Then I hired an attorney to help me sort out just what the hell happened. And then I started doing consulting work to bring in money. Business and health consulting. And of course liquidating assets. Physical things… And then I started hardcore trading again.
FFA: You mean trading in the stock market?
EH: Yes. Something I already had a lot of experience with. But besides real estate there’s no faster way to make money fast when your funds are limited. Of course it works in the reverse as well. So you really have to have a strong stomach and nerves of steel. But it was all about taking very real and tangible actions to move forward and start to rebuild. All of this AND still trying to finish recording the new albums with the band at that time and play shows in different cities.
FFA: I remember that. I bet a lot of people wondered why you changed so many things in your life at the time.
EH: Yes I’m sure they did. Because I also leased out my apartment in Manhattan for a while to make money. Whatever it took. Living with family and friends. It was a freaking nightmare honestly. But it was also a tremendous challenge and so kind of fun… When people asked me what was up, I didn’t hide the truth. But I also didn’t advertise it. I just kept moving forward. It was an insane position to be in. But you start from where you are. You start with the basics. You create being happy to be you, and simple things like “I can do this”. “I can make it happen”. “I believe in me”. Things like that. Using the Avatar tools to create those realities. Or whatever “tools” you have available to you. In spite of how challenging things may appear. You do it anyway. And at the same time you announce it to the world. Tell everyone what you’re doing. For me that meant telling everyone “The Ambassador is down but he’s not out! I’m rebuilding the empire!” Perceive it as a challenge, a doable challenge. And set about every day to being real with where you are… but also striving toward bigger things. I truly believed that I had learned a valuable lesson, but that I was not meant to stay down for long. That was not my destiny. I didn’t take all these courses and read all these books to let one major setback ruin my life forever. I was totally committed to rebuilding in spite of that setback.
FFA: When the first song from your new solo album made it onto the Billboard Charts, after going through all that, did it feel like your hard work had finally paid off?
EH: Are you kidding? Yeah. It was amazing! We laughed, we cried. And then laughed some more. A lot of jumping up and down screaming. One of the greatest days of my life. Friends calling from all over the country because they just heard the song on the radio or in their car… Things like that. I think because of the immense disadvantage I had been placed in – and everyone knowing about it…. That’s what made it so much more enjoyable for everyone. To be down like that and to rebuild it all from scratch and then top it off by hitting the Top 40 a few times. That was an amazing moment for sure.
FFA: You really did “bounce back when flat” as you say.
EH: Yeah, it’s hard to believe. But we did it!
IV
FFA: And it didn’t end there. Around the same time, you were invited to be one of only a handful of Americans to visit Iran post-revolution on a peace mission. How did that come about? [Hale visited Iran in 2009 on a well-publicized Civilian Diplomacy mission along with eleven other Americans in leadership positions from a wide cross section of different industries. He represented the arts. He just returned from a similar trip to Israel-Palestine recently. In between he’s also visited countries in Africa, Europe and Central and South America to build homes and community centers.]
EH: I’m glad you asked. Because it’s actually a really magical story in a way. I was at this silent retreat at a convent of nuns…
FFA: You always say these things that sound so outrageous… Like you’re narrating a movie.
EH: Hah! Well I’m telling you, this is what happened. It sounds crazy. But that’s how it went down. I was at a silent retreat at a convent of all these sisters in the middle of nowhere in upstate New York. Episcopalian I think. And you couldn’t talk for like a week. So I used that time to just unwind and decompress. But they had this policy where during meals you could do some light talking… something like that. I met this one sister who was really cool, very hip. And we shared this passion for global human rights activism. We couldn’t really talk that much. But we got to know each other. And at the very end of the retreat she told me about this historic upcoming delegation of Americans who were headed to the country of Iran for a two week peace mission. She said that the application process had expired, but that if I got mine in really quickly that she’d put in a good word for me with the international organization that was putting the thing together. I had been trying to get into Iran for five years. I must have applied ten times and was denied every time. I had already been studying the language, Farsi, so I could speak the language a little bit… That helped. And you know, there’s more, but basically, it all came down to me being at this silent retreat in the middle of nowhere that got me into Iran. Sort of. I suppose it was more than that. But that was the original impetus.
FFA: Being in the right place at the right time. It’s fascinating how these little miracles happen in our lives when we’ve put our attention and intention on them.
EH: Exactly! First our attention, then our intention, get rid of beliefs or ideas that are in the way and BAM! Things manifest!
FFA: Can you talk a little bit about your activism?
EH: Well it is something that I am passionate about. I think it’s an easy way to feel good. Because you’re giving back. It’s not all about you. It’s nice to step outside of it being all about us sometimes. A lot of times actually. [laughs. Hale has become reanimated. His eyes have that light back in them.] Every one of those trips will stay with me forever. I hope this is only the beginning.
FFA: And again you started a business around it. But this one was a non-profit. What is the goal of your PeaceWithIran.comorganization?
EH: Just that. Peace with Iran. Exactly what it says. I honestly see it as a reality. I see it happening. Maybe not this year. But soon. The alternatives are far worse than the simple act of a peaceful reconciliation between the two countries.
FFA: From your mouth to God’s ears. What was the most important thing you learned from your trip to Iran?
EH: Great question. I’ve written a lot about this already, but I’d say that the first thing that struck me was how genuinely nice they are there and how much they love Americans. That was very much a surprise for me, for all of us on that trip. We never hear about what nice people the Iranians are here in the States. And we also don’t hear about how much they love and admire us here. That’s an important thing to share I think.
FFA: What other areas of activism are you interested in moving forward?
EH: Well now a lot of my focus lately has been on Israel and Palestine… That’s the real hotbed I believe… Even in regards to Iran, it seems to all come down to Israel and Palestine at the foundation.
V
FFA: Before we go too far off into world politics, can you talk a little bit about your new albums? What keeps you motivated to keep making music at such a rapid pace?
EH: Well I tend to write a lot of songs. AND at the same time I tend to have a lot of ambition when it comes to always wanting to out-do what we did last time, artistically. Every time we get an opportunity to make a new album it feels like such a privilege. So at first we just head into the studio to record our quote-unquote next album. It always starts out as a simple process and then it just starts to slowly get more and more complicated. So it’s just me wanting to challenge myself, see how far I can take it I guess. And the fans, their reaction to it…
FFA: So are the album titles official now? The ones that were just released to the public?
EH: Almost positively yes. Welcome to the Rest of the World for one, and Another Day in the Apocalypse for the other. They’re starting to sound really different from each other now. And the songs have been chosen for each. So we can see the finish line… finally.
FFA: So when can people expect to hear the first single or finished product?
EH: We’re not 100% sure, but my guess would be sometime this spring or summer…
FFA: Well I know a lot of people are excited to hear the albums. The last thing I want to ask you is if there was one thing that you could share with people about any of the Avatar Courses, what would it be? As someone who has taken all the courses and continues to do so.
EH: Well that’s easy. And hard, because there’s so much you could say about it. I mean, it’s a HUGE thing, right? I write about it a lot actually. On the one hand, it’s a way of life. It’s a way of being… You learn a whole new way of being, through becoming more adept at feeling and using your intuition… You become more honest and real. More in line with the truth. But on the other hand, it’s also just a series of courses. You know, it is what it is, whatever each person makes it out to be. I guess that’s what I would say about it. That in essence, the Avatar Course is essentially just a series of courses that contain all this confidential knowledge that you sort of already know, way down deep inside, like it resonates strongly when you read it, as if you’ve known it all your life, right? [Hale is once again excited and animated] And yet now it’s been broken down into very easy to understand and doable steps. That’s amazing! No one had ever done that before. I could go on and on… but put it like this: Take all the cool stuff that we’ve read about in metaphysical and new age books, AND all those documentaries about quantum physics and the so-called paranormal, and then turn all that into a nine day course filled with exercises and processes that teach you how to actually do THOSE things. Tools to help you gain more control over your life and the world around you… more personal power. Now do that with hundreds of thousands of other people from all over the world speaking seventy-something different languages! THAT’S what Avatar has turned into now after almost 30 years. A giant collection of the most enlightened or maybe better put the most enlightenment-seeking people on planet earth. It’s the coolest thing happening in the world right now hands down. Hundreds of thousands of people from all over the world working on being the best they can be AND trying to make the world a better place! Incredible stuff. People always ask me, “Is it worth the money?” And I’m like “Oh my God, no… it’s worth ten times as much.” Talk about a paradigm shift. If someone is looking for a real paradigm shift –something really transformative in their lives – I can’t think of anything else as powerful or noteworthy. At least not yet anyway. Out of everything out there. And I’ve tried it all and then some.
 
To find out more about an upcoming Avatar Course, visit www.Avatarepc.com
To find out more about Ed Hale, visit iTunes or www.edhale.com

ED HALE SIGNS DEAL WITH FIELDHOUSE MUSIC/BMG

Two months after his latest hit single “Scene in San Francisco” entered the Billboard Top 30, the second from his last solo album Ballad On Third Avenue, Dying Van Gogh Records announced that Ed Hale has signed a licensing and publishing agreement with Fieldhouse Music, a division of BMG. The deal comes fifteen years and eight albums into the multi-talented New York based singer-songwriter and recording artist’s career, who has amassed a catalog of thousands of songs and had numerous placements in films, television shows and commercials over the years. John Loeffler, President of Fieldhouse Music/BMG, commented, “Fieldhouse Music/BMG is very excited about the signing of Ed Hale. He has an extensive catalog of great material and is a true talent.” Fieldhouse Music/BMG is a company that offers a new breed of music production which specializes in discovering and promoting new talent for film, commercial and TV soundtracks. Hale, who has been riding a wave of landmark successes over the course of the last two years both as a solo artist and with the rock band Ed Hale and The Transcendence, commented “The universe has been very good to us lately. I felt like I knew these guys at BMG from the first minute I walked in the door. In fact, the security guard at their office didn’t even bother to check me out or make me sign in or anything. She just looked at me and said “BMG?” and I said “Yep” and just walked right in. It was wild. Felt very comfortable. I’m psyched to see what we accomplish together.”

ED HALE INTERVIEWED IN LIQUID HIP – PART 1

Liquid Hip Magazine interviewed Ed Hale in it’s April 25th edition in a piece entitled Ed Hale On Your Heroes And Villains.
“These bands that get in the studio for two years and are forced to record 50 to 70 songs in order to come out with 10 tracks and the record companies are still not happy … they’re looking for ‘hit singles’ rather than a great fucking album. Well, we haven’t been working that way. — Ed Hale And The Transcendence
Nothing Ed Hale does is by the numbers. Even his band, Ed Hale And The Transcendence, isn’t structured like others. It includes five core members, five guest members on every record, and another five musicians who sit in with the band for live productions. That doesn’t count Karen Feldner, who has provided vocals for the band since their first album, Rise And Shine.
Yet, despite its sheer size and scope, the band has managed to maintain a distinct sound, even if it is one that can be hard to pin down. Their fourth studio album, All Your Heroes Become Villains, has been described as everything from a concept album of Brit-pop and world music to seventies glam rock and progressive alternative, but it is really something else all together. Continue reading…
“It wasn’t supposed to be a concept album, but we were trying to make sure the songs were connected in some way because critics had said our albums ‘weren’t cohesive enough.’ We didn’t know that was one of the rules to making albums,” Hale laughs. “It was only later, with a lot of it coming from DJ Kamran Green, that we started hearing how the songs could be tied together. This guy smoked more pot than anyone I had ever seen in my life. He’s got this medical marijuana card, right? So he smokes out 24-7!”
It was also Green, Hale says, who would stay up after everyone else had called it a night between 2 a.m. and 3 a.m. When the band would return in the late morning, Green would still be working — creating brilliant little snippets of music that would be incorporated in all the songs, tying them together, and giving it a “rock opera” like quality.
All Your Heroes Become Villains is a collection of personal insights.
One of the most powerful songs on the album, “Blind Eye”, carries a potent message. Hale has always been regarded as an outspoken social and political activist, but this song throws its hands up in the face of everything, moving from protests that feed the system and toward passive apathy, just to survive.
“Sometimes I want to feel that way. I did when I wrote it. I mean, regarding how evil all the governments of the world are, yes, I feel that way,” Hale said. “You and I know that I can’t get into that here, in a public domain. But that’s what the song is really about … the fact that we are forced to turn a blind eye to all of it.”
Instead, Hale points to a host of entertainers that mostly stay away from politics and take matters into their own hands. People like Bono for his work in Africa, Sting and his wife Trudy saving rainforests in Brazil, and Matt Damon attacking water shortages, he said. Instead of trying to change legislation, he points out, they go out and get it done.
“Blind Eye” isn’t the only politically charged song on the album. “We Are Columbine” is equally poignant, laying the ownership of what Hale considers injustices on the societies that make them possible. Musically, it’s one of the best rockers on the album. Lyrically, it is among several songs Hale says he didn’t write as much as they wrote themselves.
“It’s a hard song to stomach if you don’t agree with the position it takes,” says Hale. “It didn’t take anything to write, but I had to ask myself if I had the courage to write it. To say those things.”
To read the complete article head to Liquid Hip online by clicking here.

NEW ED HALE INTERVIEW TO APPEAR IN PENS EYE VIEW MAGAZINE MARCH 9TH, 2012

New interview with Transcendence singer/songwriter Ed Hale to appear in Pens Eye View Magazine on March 9th. Hale talks about his latest hit single “Scene in San Francisco” becoming the Hot Shot Debut of the Week in Billboard Magazine, and other songs on his Ballad on Third Avenue album including “New Orleans Dreams”, as well as what life is like on the road, how he overcomes stage fright, his band’s new Dark Knight-themed album All Your Heroes Become Villains and what it’s like having hit songs on Adult Contemporary radio when you “play in a rock band”.

ED HALE MAKES MUSIC MAGAZINE MAGNET A MIXTAPE – NEWEST ISSUE ON STANDS NOW

Check out the latest issue of the music magazine Magnet for a special feature on Ed Hale. The singer prepared a little holiday present for the uber-hip magazine’s Editors in the form of a custom Mix Tape featuring a list of his “Ten of the Most Important Songs of All Time and Why”. Each song is accompanied by a brief explanation of why Hale chose it and how it has influenced his own music, along with a link to the music video on YouTube.
The article also features a code listeners can use for a free download of the new single “Solaris” from Ed Hale and the Transcendence’s new album All Your Heroes Become Villains. Curious? Though many of you could probably take a damn good guess,  we’re not gonna tell you which songs or artists Ed chose. You’ll have to pick up a copy of the magazine for the full list; or simply click here to read it online. The December issue, #083, hit stands today, December 29th.

“NEW ORLEANS DREAMS” RISES TO #16! NOW RECEIVING NEARLY 1000 SPINS PER WEEK!

You read it right! Ed Hale’s latest single, “New Orleans Dreams”, is now receiving almost 1000 spins per week on over 150 radio stations across the United States, making it the #16 most popular song in America in the Adult Contemporary radio format, according to FMBQ the radio tracking agency. Congratulations to Ed and his band of merry pranksters! Fernando PerdomoZach ZiskinRoger HoudailleMatthew SabatellaGreg ByersRicardo MazziBill SommerKaren FeldnerDJ Kamran Green, and Cynthia Kivlan.

BACKSTAGE: TRANSCENDENCE’S ED HALE ON IRANIAN DIPLOMACY AND WHY D.I.Y. WORKS

Featuring Roger Houdaille, Ed Hale, Bill Sommer, Allan Gabay, Fernando PerdomoOriginally Published in Backstage in South Florida By Lee Zimmerman Wed., Nov. 2 2011 at 7:20 AM
Music vet and New Times scribe Lee Zimmerman offers his insights, opinions and observations about the local scene. This week: Ed Hale talks music, mobility and his attempts to save the world…

          When translated into Latin, the word Transcendence suggests an upward motion and a feeling of going beyond, freely tempered by shifting historical or cultural connotations. Fortunately, Transcendence, the group with South Florida roots manages to live up to its banner, with five ambitious albums released over the past decade, as well as the various solo outings from its individual members.Formed in Miami at the start of the millennium, the members of Transcendence are scattered across various locales, but three of its chief mainstays remain the same — singer/songwriter/guitarist/keyboard player Ed Hale, guitarist Fernando Perdomo, bassist Roger Houdaille and drummer Ricky Mazzi.


Each boast their own back story. Hale was formerly with the South Florida outfit Broken Spectacles, Perdomo helms his band Dreaming in Stereo and his own Forward Motion Records roster, Houdaille fronts the group Ex Norwegian and Mazzi is an in-demand session player. Nevertheless, they find a common bond in Transcendence, which Hale directs from his home turf in New York and Seattle, and which, along with Miami, serve as headquarters for his record label, Dying Van Gogh. “It’s a crazy way to live,” Hale says. “But it’s a blast.”  Read on…

           The frequent trips to South Florida also allow other musicians to lend their talents from time to time, and in fact, no fewer than a dozen players contribute to Transcendence’s upcoming album, All Your Heroes Become Villains. The title is telling, a dissertation on the confusion and contradictions that confound today’s humanity. There are mystical and spiritual elements imbued throughout, and with its dark, dense tones and textures that enhance the symphonic sound, it becomes both majestic and grandiose. Production plays a key part in its construction, underlying the riveting themes with a progressive gaze. Hale shares billing with the band these days, but there’s no doubt this is a collective effort, and one that benefits from it robust blend.
I recently caught up with Hale who spoke to me by phone from New York as he talked at length about the band, his various world adventures and his advocacy for peace and understanding. A few days later he was in Seattle, dressed in a bathrobe, pajama bottoms and slippers on the streets of the city and marching in support of the Occupy Seattle protest. That Transcendence tag seems apt after all. Here, then, is part one of our discussion.
Hey Ed! What’s been going on since we last spoke?
What’s not going on since last we spoke? The last six to twelve months have been incredible. The short quick answer — I got married. That was big. I still can’t believe it most of the time. I converted to Islam to be able to marry my wife in a “traditional Persian Ceremony” which was beautiful, as she converted to Christianity in order to marry me in a “traditional Christian Ceremony”… so it was a wild experience. I released a solo album, Ballad On Third Avenue, and watched it climb to the Top 100 at college radio for a few months. I toured the U.S. coast to coast and shot a bunch of music videos. I signed a major distribution deal for our record label and watched it take off bolstered by the success of the solo album and Ex Norwegian’s Standby album.
You’ve gotten a lot of notice lately it seems.
Somehow we managed to turn into “a national act” at some point along the way. We did a ton of TV and radio interviews in the U.S. and Canada and got picked up by one of the largest music PR firms in the U.K. The album’s second single “New Orleans Dreams” made an impact on the charts and broke into the Top 40 in adult contemporary where it now sits at #30. That’s a brand new radio format for us. We’ve always been an alt-rock or modern rock act. Now the song is in rotation in 21 different countries around the world. I sincerely hope to see it hit number 1 by Christmas. We’ve never had a national number 1 before so that would be a blast.
It seems you’ve done a lot of international travel recently and even become something of a freelance diplomat. What’s that all about? 
I became a “Civilian Diplomat” and travelled to Colombia, Africa, and Iran where I met with former president Khatami and all the major Ayatollahs to discuss US/Iran relations and peace. I also attended a meeting with Iranian President Ahmadinejad at the United Nations to talk about the same thing. Talk about a trip! I helped build a three-story Community Center in a very poor and remote village in Colombia, and two brick houses in an even poorer village in Ghana. They were amazing experiences, all of them.
Of course right now we are also jumping out of our seats with excitement over the upcoming release of the new Transcendence album All Your Heroes Become Villains, which hits the street on November 15th. I just can’t wait for people to hear that one. We worked so hard on it…
How about giving us some background into the new album?
The last time we spoke we were discussing the new solo album Ballad On Third Avenue, which was a big shift in direction for me and the guys in Transcendence, with me putting out a softer more acoustic adult contemporary album. That was a touchstone for us. We weren’t quite sure where things were gonna go, but we were happy as hell and excited about the possibilities. As a label, we had just gotten major distribution again, which meant we were free to be able to start releasing our music again. That was a big coup. It took a lot of pavement pounding and phone calls, but we nailed it. The three of us released solo albums as a kind of “prelude” to the release of the new Transcendence album. That was the plan, but who knew? Roger’s solo project Ex Norwegian blew up and kicked some serious butt on college radio and with the critics and in the touring department. Ballad On Third Avenue, which at the time we thought was a risky venture — me going “singer/songwriter” — exploded. It was like a whole new world opened up for us. A Top 20 Most Added album at College Radio and the highest CMJ charting we’d ever had up to that point.
What has the advance reaction to the new album been so far? 
The phone’s started ringing. BillboardMediabaseMediaGuide and all these commercial radio promoters and PR firms started calling. Right now as we speak, the album’s second single “New Orleans Dreams” is spinning on radio stations in 20 countries around the world. And now it’s climbing up the Adult Alternative Album Charts. PR Firms that never used to take our calls started calling us. I signed five endorsement deals in six months; all for products that I love. I get free guitar strings for life, and I sing through the best microphones in the world.
Sounds great! What else? 
Someone leaked a few tracks from the album and then we get this call from a guy in the U.K. who said he heard the songs on his phone over the internet at 3 o’clock in the morning at a club and “just had to contact us.” It turns out it was James Parish of Prescription PR. These guys are huge in the UK. They represent Beck and the Kinks and Rufus Wainwright… they’re way big. And now they’ve added Transcendence to their roster, which is great for us, because we’ve been trying to get into the British music market for a long time. Radio and TV interviews keep coming in. We’re in glossy print mags now! It seems we’ve taken it to just a whole different level.
How do you explain this sudden success?
For me and the guys, it just goes to show that D.I.Y. works… if you work it. We’re all very happy and the album hasn’t even come out yet. But the reviews are starting to come in and they look good, and the fans seem to be really digging it so far. We’re all very aware that any success we experience with our solo projects can only help Transcendence, which is “our group project.” We’re also in the process of recording three new Ed Hale solo albums. So yeah, we are working 24 hours a day and seven days a week. But it’s fun. As hard as it is, the payoff makes it worth it.
How is the label operation going? What’s new on that end?
Running a real record label is a mammoth undertaking. It’s 24/7 and then some. To be able to operate at the level where we currently are, we can’t hire enough people fast enough. We’re trying, but we keep realizing that we need more and more people working at the label to handle the momentum. And truth be told, running a record label does get in the way of being your best as an artist. But we’re” in” now, at least a little bit more than before.

Other than that, we’ve got some incredible releases coming out over the next six months, which is very exciting. Besides the new Transcendence and Ex Norwegian albums, Roger already has another album recorded and ready to hit the streets. So does Transcendence. We’re also soon releasing a Jimmy Campbell Tribute album with some really big names on it and we’re in negotiations with that classic band Flash, plus a few others like Arlan Feilis (of Natural Causes), who I just adore. Being able to help other artists that you love achieve their dreams and goals, that’s the mission. But as artists we’re also aware of how much we as artists still need to do every day. So we’ll see. If we can get it to the point where we can merge with a larger indie label and pool our resources together, that’s the direction we’re headed in now.
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